Little Monuments

 

 

Even in this, his new life, the first thing Owen thinks of when the coughing fits wake him every morning, is smoking a cigarette. He comes out of his dream with last night’s smoke in the back of his throat, a thousand others coming up from his lungs with every wracking hack. But at least the coughing drives the nightmare from his waking mind: the shrieking brakes; the emptiness before the splashing crash; the gaping blackness of the slough; the cold steel he can’t stop clutching; screams submerging to a bubbling gurgle. Then a silence that has continued through the years. Owen is grateful for the coughing spasms. They pull him out of his fear and get him going, get him up. When the coughing subsides, he can light up for the first time each day. Own is not exactly happy, but he’s glad to be alive. 

On these weekday mornings, he no longer gets wake-up calls from Miss Derks. He hadn’t really needed them. He was always up coughing, smoking, boiling Nescafé on his hotplate, before his social worker called. Still, he used to thank her every morning. More than just his social worker, Martha Derks is also Owen’s life-skills coach and the closest thing he has to a friend. He’s proud every day that she trusts him now to live alone. He seldom misses a day at Many Hands, the sheltered workshop where he’s been employed since his last hospital discharge. He doesn’t have to take his crazy pills anymore—just his blood pressure meds—and Miss Derks doesn’t need to remind him like she used to. And he no longer eats the government breakfasts at work with the folks from the group home where he used to live. Most mornings Owen fixes his own cold cereal and peanut butter toast that he eats with coffee and a glass of milk. 

At sixty-three, Owen finally feels all the way grown up. 

After washing his cup, glass, knife and spoon, and clearing away paper plates and leftovers from the night before, Owen goes out to wait for the van and smoke another cigarette. He enjoys his cigarettes. At work he smokes whenever he can—at break and lunch, out on the lawn jobs, or sorting bottles and cans in the yard. Even though his boss lectures him about all the many ways “Those things are going to kill you” whenever she sees him smoking, he still puffs away. “I’ll be OK, Bernice,” he grin-growls softly through the smoke. 

An odd thing that nobody knows—not Bernice, Miss Derks, Dr. Atombomb, the guys at work, or the lobotomy ladies at the group home—none of them—is that when he’s doing his other job, doing his rounds out at the crash sites, Owen never smokes. He doesn’t understand why cigarettes don’t call to him while he’s along the highway, the ridge road, or out where the freeway starts, so he doesn’t think about it much. What Owen does think about, though—every day—is that his trailer, his independent living contract, his newfound ability to skip his meds and still not have crazy spells, all come from God because of the other job he’s made for himself. 

He has to keep his job at the sheltered workshop to pay the rent on his trailer, and make money for cigarettes and candy. Many Hands pays half minimum wage for sorting recyclables, brush clearing, and lawn jobs. The Department of Rehabilitation pays the other half. He relies on SSI for anything extra. His trailer is small and the rent is cheap—his landlord gets money from the government, as well. The regional center feeds them lunch at work and he gets food stamps, so he’s got plenty to eat. 

When his SSI check arrives each month, and he and Miss Dirks decide how much he can spend, he walks over to the dollar store for cleaning supplies, fake flowers, and other decorations for the crosses and markers he tends. He bought real flowers a few times at first, but he didn’t like how quickly they wilted and drooped. Tuesdays after work, Miss Dirks gives him a ride to the Safeway and helps him shop. Sometimes after the groceries are put away, she takes him out to a restaurant. Those are the only days he doesn’t do his rounds. 

On weekdays, he does short rounds after work. He takes a city bus to the edge of town where South Main turns into freeway, does what he can without his bucket of supplies, then catches the last bus home. There’s been a lot a wrecks out there, but you can’t do any real cleaning without supplies. Some of the newer monuments are crowded with signs and messages, strewn with sentimental pieces of people’s lives. He tries to keep each one as nice as it was when it was new, but after work he mostly picks up trash, which he stuffs it into plastic bags from work and leaves in the Safeway dumpster on his way to the bus stop. 

Those short days, Owen steps off ten paces from each shrine before he begins, and only picks up trash within that radius. He hadn’t made that rule for himself years ago when he first started doing his rounds. There was so much trash he would forget what he was out there for and pick up everything he found. With all the time that took, lots of sites were getting neglected. One night he lost track completely and ended up so far out of town the police had to take him home. Owen had learned to follow rules a long time ago, when he first lived at Napa State Hospital. Now he’s learned he can make rules for himself, and that if he follows them, he’ll be okay. 

On the weekends Owen has all day to get things done. For the first time since high school, he likes weekends better than the work week. On long summer Sundays he takes the bus to the north side of town where the highway winds around the bay. Nobody even remembers all the wrecks there’s been out there. But Owen remembers more than people know—more than his dreams make him want to forget. Now his memories are returning.

                       

 

The last time Garrett Henderson visited Miranda’s cross was the day of his ex-wife’s wedding, six years ago. He left for a construction job in Montana the next day and stayed on in Billings. Since moving back to the coast to take care of his mother, he’s avoided it by taking the long way into town. It wasn’t that he didn’t want to see the marker—leave some flowers, spruce it up a bit, spend some time thinking about Miranda, and maybe say a prayer if he could muster one up—he just didn’t want to be there where his daughter died. The stain on the road still shows up in his dreams—on a floor, on a wall, in the sky, on someone’s dream-face. Although he saw her actual crushed and torn body that night, glistening in the headlights as he ran to her screaming her name, the image of it only haunts his guarded memory, not his dreams. He is grateful for that. But now that he’s working for the county, his short commute goes right by Miranda’s marker.

Garrett knew all along he would have to face the awful spot someday, and he’s decided. Today is the day.

He pauses at the end of the driveway Friday morning to make the final decision. It’s ridiculous the way you go the long way around, you big baby! It adds ten miles to your commute! Get your shit together, Garrett. He commits himself to turning left at the highway this time and driving straight into town past the accident site. His pickup sprays gravel and he settles in for the morning glide down the valley road. He’ll figure out what to do as he’s doing it. Just drive by now. See how it looks. Stop over after work. Maybe this weekend he’d give it some time, refurbish it, make it a real memorial again. Focus on the cross itself, and think about Miranda—not on the phantom darkness in the road.

At the foot of the valley, Cedar Creek emerges from the redwoods and blackberry hedges, slipping into the slough where Cedar Valley Road tees with the two-lane highway into town. Meandering with the edge of the back-bay, the highway is on a levee that barely holds back the slough at high tide. Where the channel turns to join the bay, the road bridges another creek, climbs through a cut in the bluff, and enters the rural county seat on the headland above the bay. 

Garrett feels the pounding of his heart as he turns left onto the highway. Adina had made him put up that white wooden cross, and he remembers it now as he’d seen it last: peeling and listing, sticky with decayed flower petals and bird droppings, with a duff of compost at its base—the leavings of a decade of sporadic mourning.

At fourteen-years-old, a year before she died, Miranda had expressed a strong preference for being cremated and having her ashes scattered at sea—the kind of thing adolescents sometimes do when they realize they’re mortal. Garrett and Adina argued about this in the poison of their shock and grief. Adina wanted to go with Miranda’s expressed wishes. Garrett argued that it was a childish whim, but also there was something about cremating his daughter that he could neither accept nor put into words. Garrett thought she was being irrational and stubborn, but Adina had her own guilty reason for not wanting another grave to visit too infrequently, and she was too ashamed to share it. 

The argument quickly turned from irrational to bitter to mean. In a fit of spite and blame, Adina made arrangements for the cremation when it seemed that Garrett was going to put it off, as he had done with so many things in their marriage. With the accident, the coroner’s inquest, insurance forms, lawyers, and the ominous guilt he was trying to keep in check, Garrett was too beaten down to assert himself. 

There was a memorial service at his mother’s church, and plans were made for scattering Miranda’s ashes. After the disaster of that day on the boat together, Garrett and Adina could never again come to any decisions. They could barely stand to see each other. It was a no-fault divorce with more than enough fault to go around. 

They had photos and memories of their only child, but in the end, stubbornness and guilt denied them of any other permanent marker for Miranda’s life and death—no columbarium niche, no memorial plaque at the high school, no altar in the family home, no grave or headstone. They had only the roadside shrine upon which to focus their feelings of loss; it became the location of key scenes in the breakup of their marriage.

Nearing that otherwise undistinguished stretch of two-lane, Garrett fears he won’t see the cross at all, only the stain of blood on the asphalt—a stain that, when fresh, had been so appallingly large that it spread from the broken center line to the shoulder of the road where the cross now stood. The stain had faded on the road as it deepened in his mind, so that now as Garrett approaches it, he imagines it somehow showing through all the rock and tar put down since Miranda died. 

The few times he visited the site with Adina after the accident—when they were going through the charade of holding their lives together, clinging to each other out of terror and habit while they tore at each other’s hearts—he had wanted to suffer. He wanted it to be worse than it was. He thought he deserved it. When he stood at the side of the highway—not crying, not speaking with Adina, not even thinking of Miranda, but numb, anesthetized—he felt like nothing he did would ever be enough. 

Approaching the rising bridge over the creek, Garrett sees the flicker of white through the willows before the dreaded mirage can appear. He gasps as the simple white cross comes fully into view. It is not as he remembers it. Braking hard, he sends a tailgater into a honking swerve. He cranes his neck, his mouth agape as he passes. It is pristine. The cross is straight and freshly painted. A bright spray of too-perfect flowers is ensconced below the crosspiece, around its base a miniature fence and an apron of something green that gave the little monument the look of an Easter basket. As Garrett slow-rolls past the place where his daughter died, he twists in his seat so far, he nearly puts his truck into the slough at the foot of the bridge. 

                       

 

“Easy does it,” Owen says, stepping gingerly down onto the milk crate front porch of his trailer. Gaining solid ground, he looks at his Casio. Half his life he struggled to tell time from a clock with those arrows pointing in all directions. Once he got a watch with numbers he could read, it still took him years to remember to keep it on his wrist, to look at it, to think of what it means. Martha could never teach him to use the buttons on the side, but now he knows how the numbers can help him be where he’s supposed to be to get things done.

“The van’ll be here in a few minutes, so don’t wander off,” Owen mutters to himself. “Just enough time for a cig,” he says. Squatting onto a plank between two more milk crates—the only amenity in his gravel front yard—he pulls a pack of Spirits and a disposable lighter out of his grimy jacket. Along with the cloud of smoke, he exhales his daily wish/complaint. “Sure wish I had a real bench er somethin’.”

Owen has learned over the last few years that talking to himself is the only way to remember what he is doing. People give him a lot of funny looks around town, but as Owen often says to Dr. Applebaum, his psychiatrist from the Regional Center,  “I’m not one a them crazy ones, ya know!” At the group home and the recycling center, “half of ‘em are bonkers,” emotionally disturbed and “half of ‘em are ree-tards,” intellectually challenged, Trainable Mentally Retarded, TMR, in the parlance of the times. Owen has heard himself referred to as the latter all his life—usually with the pejorative slur.

But all along he kept a pretty picture in his mind of being on his own, with everything he needed, and no one having to tell him what to do.

Used to be that when he was told to do something, he would forget unless someone stayed with him and kept telling him. That was fine at work where there were college kids and social workers supervising, but Owen couldn’t be at work all the time and he used to get in trouble living with “all them freaks” at the group home on Denby Street. He got mad just thinking about it. “Hell, some a them freaks got their own helpers tellin’ em every move to make—waitin’ on em hand and foot.”

Owen had tried and failed at independent living twice before because he couldn’t remember to do the things he needed to. He lost, didn’t read, or didn’t understand the notes the social workers wrote for him. He’d start off repeating the instructions in his head, but then that sick feeling would come over him and he wouldn’t have any idea where he was or what he was supposed to be doing. Wandering around town, he’d need a smoke or get hungry and thirsty and he’d start bothering people. Before he knew it someone would call the cops and he’d spend the night in County General. Sometimes, if he was too upset and fought the cops, they sheeted him—restrained him in a bed with sheets and blankets—until he calmed down. That’s how he ended up in Napa State again those last couple of times.

Eventually Owen learned that just repeating things to himself didn’t work, but that if he narrated what he was doing—talked to himself like he was another person—he did fine. He got his independent living contract by proving to Miss Derks he could stay out of trouble and always be ready when the van came to pick him up for work.

Once or twice a month, Dr. Applebaum calls Owen in from smashing cans in the sorting yard to ask him how he’s feeling. Owen doesn’t talk about his “other work” with anyone except “Doctor Atombomb.”

“I wish nobody noticed me. I don’t like em lookin’ at me.” Dr. Applebaum thinks he understands Owen’s refusal to talk about his “peculiar pursuit” with others—as if everyone around him wasn’t fully aware of it. “But then a couple years ago that lady from the newspaper started following me around and put my picture in the paper. Now seems like everybody knows my business.” Owen tends to perseverate on this perceived breech of his privacy. “I don’t like people knowin’ my business.”

Dr. Applebaum is well aware of Owen’s agitation over his privacy concerning his other job—after all, it was one of his early therapeutic assignments for Owen that led him to his current “obsession” with those little monuments. Though he doesn’t believe he’s helped Owen any more than his other hopeless TMR patients, Dr. Applebaum has listened faithfully to reiterations of Owen’s stories and complaints over the years as if he were hearing each one for the first time, and he takes a certain professional pride in Owen’s success of late. To his further credit, Dr Applebaum doesn’t try to direct him. He listens with convincing intent as Owen vents.

And vent he does. “I know I get pissed off, but I don’t want people bothering me about it! But they honk at me! I stay outta their way, but they honk anyway! And they drive so bad—right there where they know there was a crash! Sometimes it’s like they’re gonna crash right into me!”

So, when Owen is out by the freeway, or on the highway down by the bay—picking up trash, replacing flowers, sprucing up someone’s roadside shrine—and people honk, or just slow down to look as they pass by, he wishes he could do his work in secret, in the dark.

                       

 

            The road rises sharply above the mudflats approaching the bridge. There is no shoulder here, no place to pull over. Garrett hadn’t planned to stop until after work, but now he is so shaken by the unexpected look of the monument, he lugs his engine on the slope of the bridge, unsure of what to do. He and Adina had always parked on the uphill side of the bridge at the turnout, as Garrett had done the night Miranda died, and walked the fifty yards or so down to the cross. Who’s taking care of it? he thought. Adina moved to DC years ago. His mother is housebound. Anyone else who might have cared doesn’t live here anymore. Does the city have some kind of program? Coming nearly to a stop at the bottom of the bridge, another car blaring by, Garrett decides to stick to the plan and come back after work. “Fuck!” he says through clenched teeth. He downshifts and guns it up the hill into town.

                       

 

The unusual summer heat made work especially hard for Owen this week. Smashing and sorting glass and cans into fifty-five-gallon oil drums for shipping is his preferred job at Many Hands, but there is no shade in the asphalt acre of what used to be the Chevy dealership. Owen never takes his jacket off at work because it’s almost always cool on the north coast, and he doesn’t want to lose it—or his cigarettes.

By the end of the day on Friday, the heat has taken its toll. Owen is far more tired than usual. He decides he’ll hop on the Rehab van and go home early. But at the last minute, the thought of missing his rounds by the freeway causes him to fear some unknown consequence and he changes his mind, telling himself, “Do what you’re s’posed to do and go get on the damn bus!”

Now, letting the bayside breeze flap his open jacket, and with the familiar ease of his routine giving him focus, he is glad he did.

On Fridays, Owen walks all the way to the farthest marker just before the freeway starts and works his way back. He noticed a couple of years ago that he was paying too much attention to the easy markers close to town and wasn’t getting to those near the freeway onramp.

There are a few more markers he’s seen from the bus on field trips that are farther out along the freeway. He worried about them for a while, but the one time he tried to get out to them, walking along the shoulder of the freeway, the cars and trucks roared by so loud and close they shook him up badly. He also had the odd, frightening feeling as he saw them approach that he wouldn’t be able to stop himself from jumping into one of them. He stumbled back to town in the drainage ditch beside the freeway, clinging to the frontage fence.

But today Owen feels like God is smiling on him as he sizes up the soot-gray cross that is the farthest one from home. He is walking against the traffic on the northbound side, the cars and trucks decelerating in his direction as they come down from the last overpass toward the first red light of the small city.

Just as he reaches the cross, air brakes squeal and Owen looks up in panic to see an empty flatbed semitruck fly by, dragging its locked-up rear set of doubles like eight black anchors, screeching and smoking. Startling away from the edge of the road, Owen watches the fishtailing truck come to a clanking stop just short of an old VW Bug, at the end of a line of cars stopped for the light. “See? That’s how it happens!” he shouts as if the truckdriver could hear him. “Everybody’s going too damn fast,” he says, shaking his head.

Regrouping, Owen places the heel of his work-boot against the base of the cross, and begins to step off ten paces. “One, two, three,” he calls, loud and clear and sure, continuing to “Ten!” He pulls the black plastic trash bag from his jacket and polices the area around the little monument, smoothing the graveled verge with his boots as he goes, circling in a spiral to the cross.

On weekends, when he reaches a cross in this fashion and has more time, Owen does whatever maintenance seems required—a Simple Green wipe-down? New flowers? New Easter grass? Replace a broken section of fencing? Sometimes he finds a cross that needs repainting. He doesn’t keep paint and brushes in the bucket, so he states out loud so he’ll remember, “This one’ll take a special trip.” This seems to help him keep track in his mind which ones are in need. He does occasional painting rounds on weekends.

Before he leaves each site, Owen says a prayer. Nothing he has to remember—he just forms the question, “God?” and spends a moment with his hands together and his head bowed trying to think good thoughts about whoever died there. Then he says the “Amen,” like you’re supposed to.

                       

 

Seated at his desk in the Planning Department as his lunch hour begins, Garrett clicks away the CAD blueprints he’d been working on and directs his browser to the information he gathered at break. When they placed Miranda’s memorial along the highway, it never entered their minds that it might be illegal to do so. After all, one of the CHPs who’d been at the accident site had stayed in touch with Garrett and later helped him dig the hole and set the cross.

The law was all over the map nationally, but in California what they called roadside memorials were clearly illegal. It was also clear that no one enforced the law unless the memorial became an eyesore or a hazard. He had found nothing on local internet sources about efforts to prevent that by doing maintenance.

“We going to lunch?” Lyn, from HR, peeks over the wall of Garrett’s cubicle. She is approaching middle age in the throes of a divorce involving two teenagers while she manages a new career. Garrett, single since his divorce, was polite-but-obvious in making his interest in her known when they’d met six months ago. She gave him an equally polite rain check, but after a few weeks and one uncomfortable date, they agreed they both needed a good friend with potential more than the complications of romance. Since then, lunch was as close they came to another date. They settled into a supportive, work-based relationship with lots of delicious flirting.

Lyn puts an end to her club sandwich by covering the remains with her napkin and shoving the plate away. “Sorry, Garrett, but I never really thought about it,” she says. “I mean, I remember seeing those big shrines all over the place in New Mexico when Mike and I used to go to Santa Fe, but I just thought it was a Catholic thing.” They’re just finishing up at The Jury Box across from the courthouse. “I guess I have seen a couple of crosses out by the freeway, but I certainly never saw anybody, you know, like, maintaining them or anything. Are you sure?”

“Oh, yeah, that marker would have been a decayed eyesore by now. Probably would have been removed. But, no, it looked better than when we first put it up. Somebody’s been taking care of it. Somebody’s gotta know something about it.”

“OK, well, I’ll see what I can find online.”

“Thanks, Lyn. I really appreciate you helping me. Email me if you find anything. I have got to finish those apartment plans and get the papers filed by the end of the day. “

“OK,” she says. Garrett begins to thank her, but she deflects, holding up both hands. “Hey, no problem! It’s not like there’s that much to do in HR anyway. Maybe I can find something in back issues of Vogue while I browse away the afternoon.” They both chuckle at this old saw.

“Well, anyway, I am grateful,” he adds, giving her a look that says much more.

Lyn reaches for her purse, but Garrett is too fast. “No, I got it today,” he says and slips some cash under the check, weighing it down with his coffee cup.

Back at his desk, Garrett is closing the blueprint program for the day when his phone chirps.

“Hey, it’s Lyn. Check your email. I just sent you some interesting stuff. We’ll talk at Hal’s. You’re still going, right?”

“Just for a few minutes. I want to go out to Miranda’s cross like I planned.”

“OK,” she hesitates, then half-states, half-asks, “Maybe I can go with you. I’d love to see Miranda’s memorial. And those newspaper articles are really interesting. You read them and we’ll talk.”

“OK, thanks, Lyn. Yeah, we’ll talk at Hal’s.” Garrett is thinking more about how much he likes Lyn—her sad green eyes and dry sense of humor, the way she touches his arm with the tips of her fingers when she wants to make a point—than about this weird situation with Miranda’s monument.

The email from Lyn contains two links to articles from the North Coast Herald. One is a front page news story with a headline from forty-five years ago:

 

LOCAL BROTHERS TO WATERY GRAVE

1 Adult, 3 Teens Suspected in Deadly Prank

 

The other is a human-interest story just two years old:

 

REHAB A SUCCESS STORY FOR AREA MEMORIALS

Differently-Abled Recycler Pursues “Monumental” Hobby

 

The news story features a grainy photo of the bridge by the slough with cop cars and crime scene tape. The caption reads: “Police investigate suspicious crash that cost the lives of beloved local athletes, Barry and Gordon Hurst.” 

The recent, clearer picture above the human-interest article shows a haggard old man in a bucket hat, standing next to a small white cross. He is holding a scrub brush in one hand and a rake in the other, American Gothic style. It’s captioned: “Owen Morris takes his rehabilitation to the next level to save our roadside memorials.”

Garrett has to reread both articles to put the pictures together.

                       

 

Owen wakes up Saturday morning hacking his way out of a bad dream, but as soon as he remembers it’s the weekend, he’s eager to get going. He enjoys his cigarettes and coffee, eats his breakfast and cleans up a bit, as usual. Then, unlike on a weekday, Owen packs himself a lunch: a ready-made turkey sandwich, an apple, a plastic pack of peanut butter cookies, and a can of Fanta Orange—his favorite—all from Safeway. When his lunch is tucked away in an oversized brown paper bag, he sets it down on the counter and claps his hands together. “OK, time to pack the bucket and get to it!”

He goes to his tiny closet, pops the trailer-style snap latch and surveys his supplies. He’s already done this several times since last weekend. “OK, I got clean rags and Simple Green.” He speaks to himself in his full, phlegm-gargling voice as he places each item in the bucket. “New flowers and grass, a roll of netting, and some border fence. No paint today. Ready!”

Placing his lunch bag on top, Owen takes the five-gallon bucket by the handle, shoulders his front door open, and carefully side-steps out. “Easy does it, now.” He and his bucket together are too wide for the opening and he took a serious tumble a couple years ago in his weekend excitement.

The aluminum-wrapped foam door to Owen’s trailer is never locked because he lost the key so often, but it takes a good push to open and close it. Turning toward the driveway, he hops back in surprise, nearly falling off the milk crate. Angled on the downward slope of the short gravel driveway is a light blue pickup truck, its passenger door wide open. The driver—a middle-aged man with a round, sad, smiling face—leans toward him across the seat.

“Looks like you need a porch.” he says.

“Yeah, well, “ Owen says. About to reflexively tell this stranger he just wished he had a bench, he stops. “Hey, who’re you?” he says.

“Are you Owen Morris?” the man asks, his eyebrows rising.

Owen steps off the crate and walks tentatively toward the truck. “Yeah, that’s me,” he says. “But who’re you and how come you’re here?”

“My name is Garrett Henderson and I thought you might need a ride. You can put your bucket in back.”

Owen has learned over the years to trust strangers who seem friendly and offer help. He likes the idea of riding in a truck, but doesn’t trust friendly strangers enough to be separated from his bucket. “Okay, thanks,” he says, and climbs into the cab, pulling his bucket in after him. The brand-new truck is spacious inside; plenty of room for his bucket on the floor in front of him.

“Where do you want to go first?” says Garrett as he pulls onto the road heading toward the east side of town.

Owen only has to think for a moment, because he often pondered where he’d go if he had a ride. “Well, there was a big wreck up the hill once—up the top a Laurel there? Hard to get to without a ride. Didn’t happen just now—’bout five years ago it was. Saw it in an old paper at work. I gotta go up there and see. It was a big one. Might be some work to do. Be good to get a ride, if ya don’t mind.”

“OK. We’re already headed that way.”

Owen thinks things over a moment and says, “How do you know me? Are you a new social worker or something? Are you a friend of Miss Derks?”

“No, but I did talk with Doctor Applebaum for a few minutes yesterday afternoon.”

“Doctor Atom–buh, eh, Doctor Ap-ple-bum’s not s’posed to tell our secrets,” Owen says. Dr. Atombomb—as even he calls himself at times—is very clear with his clients about confidentiality.

“Oh, no,” says Garrett, “I just asked him if it would be all right if I visited you—maybe drive you around while you do your work today. He thought it would be a good idea. For both of us.” Garrett is conscious of a condescending tone in his voice. He does not know how to do what he is doing, and isn’t really sure what that might be, but he presses on, trying to sound more casual. “Yeah, so, uh, I read about you in the Herald.”

“Oh, yeah, I remember. I got my picture in the paper.” Owen had been so proud when the folks at Many Hands saw him in the paper. It was the first time they’d heard about his other work. Only later did he begin to resent the notoriety, how it rekindled other things. “That was a while back.” He pauses, remembering those older newspaper stories that he doesn’t want to talk about. He hopes this man hasn’t seen them. “How’d you see it now?”

Garrett tells Owen about seeing Miranda’s cross so well cared-for—how it made him want to thank him, maybe help him. As they approach the top of Laurel Hill, they chatted about their respective jobs, each of them impressed, for different reasons, with the difficulty of the other’s work.

Laurel Avenue comes up the steep side of a ridge and ends at East Street, a busy neighborhood thoroughfare lined with nice homes, and businesses with names like Ridgetop Market, Ridgetop Real Estate, and Ridgetop Cemetery. Garrett parks the truck on Laurel where it levels off briefly before the intersection.

As they walk to the corner, Owen describes the crash. “Yeah, this car full of teenagers thought they could make their car fly up at the top of the hill—like in the movies? They musta been drunk, cuz there’s nothin’ but a cee-ment wall on the other side there.” He doesn’t remember reading about this crash, but as they cross East Street, Garrett sees the evidence of an impact on the retaining wall, cracked top to bottom. He scans the ugly patch material, mortared into the crevasse to hide the damage, and is disgusted by the poor workmanship.

“There were four kids inside. Only one of ’em made it out alive.” Owen feels sadness overtake him, as if someone he knew had died here. His shoulders slump and Garrett sees the emotion on his face. Momentarily visualizing the gore of such a horrendous scene makes Garrett feel queasy.

Owen steps abruptly into the street to better see the yard above the wall, searching.

“Careful!” Garrett shouts, a goose-bump chill rippling across his skin as he glances left and right for cars.

Owen ignores him, bending back and squinting at the top of the wall. “I thought there would be some crosses or something up there on the lawn.” He shrugs and ambles back on to the sidewalk. “Guess not,” he says and shrugs again, somewhat at a loss.

“Don’t you ever set them up yourself?” For an instant the thought of a mural on this tragic wall flashes through Garrett’s mind—a community project in memory of these poor kids—but he forgets the idea immediately. A few days from now, it will resurface. 

“Nah, mostly not,” Owen says. He recalls the few times he tried it before deciding that part of the job was better left to others. “That’s for families and stuff. I just fix em up. Keep em lookin’ nice.”

Owen begins to pace, hands in pockets. Garrett, noticing this, breaks in, trying to sound chipper. “Well, where else to this morning?”

Surprised, but accepting, Owen stops pacing and shrugs once more with raised eyebrows and pursed lips as the next task takes shape in his mind. “Maybe you could take me out the ridge road. There’s some out there I haven’t been to in a while.”

“Okay, well, that’s right out East Street here. Let’s go.”

For the rest of the morning, Garrett watches from his truck as Owen steps through his routine at accident sites up and down the winding road—pacing it off, bagging trash, cleaning markers, putting Easter grass under bird netting. Dr. Applebaum had warned Garrett about trying to talk with Owen about his “obsession,” but gave his blessing. “I know he’d like it if you offered him a ride. And if you stay out of his way, he won’t get. . . well. . . too excited.”

Sitting in his truck, Garrett reads again the newspaper printouts Lyn sent him the day before. He begins to think he understands Owen, and is humbled. Owen was the 18-year-old who, along with three other teenagers, caused the deaths of the Hurst brothers. The story of the trial and sentencing was on the front page of the Herald for months. Controversy roiled the bereaved community when the judge sentenced Owen to the state hospital instead of prison while the juveniles all got probation. It seemed to Garrett that Owen took one for the team, and that the judge understood this and didn’t want to see him scapegoated further. “I feel so sorry for him,” Lyn had said last night as they watched the sunset over the back-bay. Garrett felt the same.

Garrett can’t quite name the pleasant, drowsy feeling that comes over him as he watches Owen work.

Owen is grateful to be driven around to sites he seldom gets to, but he has long taken for granted the help he gets from others and is not effusive in his thanks. Mostly, he’s surprised that somebody wants to give him a ride and glad he doesn’t have to walk the narrow shoulder of the ridge highway between the sites.

“Sure glad that guy isn’t out here trying to help,” Owen mumbles, tossing the occasional nodding glare toward the truck. “Gary? Is that what he said his name is? His truck sure is nice. It’s good to get a ride. At least he’s just in there reading or something and not staring at me the whole time.”

Later, Garrett buys them a meal at the Ridgetop Cafe. Owen is gripped by an unnamed fear of wasting his sack lunch, but agrees when Garret inspects its contents and assures him the food will last until tomorrow. Over burgers and fries, they make plans to visit the sites by the slough the next afternoon. Garrett promises to pack a lunch.

                       

 

The two men sit side by side on the bridge’s concrete footing, gazing at the slough. This concrete, too, has been cracked and patched. Beside them, at the end of the bridge, the two white crosses commemorating the deaths of the Hurst brothers show the results of today’s work: new paint, new grass and flowers encircled by a modest garden border, and a Garrett-lettered “RIP” at the center of each cross.  

Their silhouettes contrast in the late afternoon sun: one erect and V-shaped, its powerful construction-worker’s shoulders sloping only slightly, arms drawn in, round head held high, pate shining in the angled light; the other a rumpled lump from which short, thick arms protrude, like a stuffed animal topped with a bucket hat. They speak intermittently, without animation, their heads never turning, as if addressing the life-and-death scent of the bay-bottom, growing stronger as the tide recedes.

“I know they’re not really buried here. I know that now.” Owen bows his head, remembering all those times he’d thought he was praying over real graves. The feeling comes back to him, a kind of shame he’s often felt when he learns things. Ashamed for not already knowing what others knew—for believing what is wrong and stupid. He envies the happiness of the people from his past who never discovered they were ignorant.

“I knew all along they buried them two brothers somewheres else. Fished em out and took ’em to the graveyard.” Owen had carefully revealed parts of this story while they worked together that afternoon. Finding out that Garrett had already read all about him was a relief, since it meant he didn’t have to explain anything. “But I thought people really were buried there… you know, under the crosses. I thought your little girl was there for a long time, you know, under the cross? I know they’re not now. I sorta figured it out. And then I asked people at work and Dr. Atombomb and they all said it was true.” 

“Miranda’s out there,” says Garrett, nodding toward the horizon. He feels the untruth and tries to imagine where else his daughter could be, but he cannot. “We scattered her ashes in the ocean.”

“So, this is sorta like her grave.” Owen turns his head toward Miranda’s newly-inscribed cross, glowing gold in the day’s last light, a short way down the hill where the road levels with the slough. Squinting into the glare, Garrett tries to focus his mind’s eye on Miranda’s fading visage, but he cannot see her clearly. He, too, bows his head.

“Sorta like…” he whispers.

“How’d that wreck happen? I never saw it in the paper.” This is something Owen wonders about most of his little monuments. In the silence that follows, the two closer crosses summon thoughts of another wreck—one he had witnessed and remembers all too well—one that was not an accident.

They look out across the salt marsh to the bay. Each man’s feelings hold his tongue. Each allows sequestered memories to surge. Each wonders how much more to tell, how much still to hide, how much is real, how much has eroded and been reshaped by guilt, and how much truth is even possible to share. These questions are wordless thought; the unbidden words that surface create their own truth.

Garrett decides, without realizing it, that he will tell the story of that night in full to this person he has come to appreciate in a way that feels familiar, but that he does not understand.

“Miranda was a teenager. Adina and I didn’t know what to do with a teenager. It seemed like she loved us just a few years before. We had fun together, Miranda and me.” He stops to think of words to match the feelings he remembers. “But at a certain point, it didn’t even seem like she liked us. I mean, she said she hated us often enough, but you know, teenagers get like that, I guess. I know we loved her, of course, but Adina and I were having our own problems, and that’s never good for kids. Especially an only child.”

Owen had expected a short, simple answer, his mind preoccupied with his own night so long ago—images and feelings he had not been able to keep at bay this afternoon as they finished his rounds here at the slough with Miranda’s pretty little memorial and these twin crosses with their own memories. He is unprepared to attend to someone else’s story.

“So, well, at some point during freshman year she started drinking. It was just before she died, really. She never had a chance to get over it like most kids do—like I had to do back in the day.” Garrett pauses again, trying to keep his composure and not just start bawling. He glances at Owen and admires what a good listener he is.

But Owen is just staring—not understanding enough to react or form questions. He tries to listen, but the story has already gotten away from him. He hangs his head down, trying not to look, but in the corner of his eye the two crosses beside him seem to be moving, waving their stubby arms like children demanding his attention. Images from his dreams become memories once again.

“Anyway, that night she was at a party out Cedar Valley Road near my mom’s house—Adina and I lived in town back then. On the phone I could tell she was drunk. She was saying she wanted to spend the night at Grandma’s house, but we didn’t want my mother to see her in that condition, and we didn’t really trust her. We thought she was probably scheming to spend the night with some boy. That was not going to happen. So, I drove out there to pick her up.”

For Owen, trying to keep certain thoughts and visions from his mind makes him feel as if he is drunk, the way his crazy pills sometimes made him feel.

“I had to search through the whole drunken party house to find her. I didn’t know any other way to bring her home. I broke in on a make-out session in a back bedroom. I mean, God! Whatever would have happened to her in that room is way better than what did happen! Why couldn’t I have been a normal, dumb dad and let her have her fucking teenage fun?” he laments to the sky. As a pickup roars up the bridge behind him, his proud silhouette slumps, head in hands, and the remaining speck of sun on the horizon disappears behind the distant dunes. The golds and greens of the marsh darken in the gloaming.

Owen feels like smoking a cigarette. When his dreams wake him up early, that’s always what he does. It helps him forget. But he’s left them at home, as usual on the weekends. He needs one now. The pictures are coming fast.

“I had to drag her to the car. She was fighting me the whole way. I’d never seen her like that. I’m sure I was hurting her wrist where I had ahold of her, and she was pissed at me for embarrassing her, but what the hell was I supposed to do?” Garrett pauses to leave room for a response he doesn’t really expect, then continues. “When we started home, she really unloaded on me. All this shit came out about us being horrible parents and her having no freedom and being so lonely. She harangued me till we got down to the highway, and, well, when she started cussing at me—dropping F-bombs—it really went bad. I’d had a couple of drinks myself that night, and I’d about had it with her. I don’t remember what I said exactly, but I’m sure I was taking other stuff out on her while I was giving her the big lecture. I dropped a few F-bombs of my own. Fuck!” The word rips from his gut through his throat. The tears he’s been fighting begin to fill his eyes. He launches himself from his perch and staggers down the narrow shoulder to Miranda’s shrine.

Owen is startled from his half-listening reverie by Garrett’s anger and, struggling to control the pictures in his head, nearly falls backward off the bridge footing. Instead, he manages an elbow-roll to the end and belly-slides to the ground. He stumbles down the gravel verge after Garrett. He doesn’t know what else to do. Words are taking shape in his mind that he needs to tell this man Gary.

Standing over the monument to his daughter beside the darkening slough, Garrett flings his hands down at the black mud as if to rid himself of something on his fingers. “Why couldn’t I just shut the fuck up and let her vent?” he shouts, turning to Owen, his face a distorted mask of anger and disbelief. Owen, just regaining his footing, does not understand the question.

The sun beyond the offshore fog bank, paints the high clouds red and the ebbing tide’s dank scent submits to a light sea breeze. The road behind them is dark.

“She kept saying, You don’t know what it’s like, Dad. And you know what? I didn’t, and I still don’t, but I didn’t have to lay into her like that.” Still looking for something from Owen, or from the cross, or the slough, from anyone, or anything, Garrett finally notices Owen’s own agitation. “You okay, Owen?” he asks, feeling immediately selfish and ashamed—realizing as he speaks that Owen must be reexperiencing just what in fact he is. “Owen? Are you okay?” Garrett reflects a second. “You thinking about…?” He leaves this question hanging, not sure what words to use.

Owen is bug-eyed for a moment, not prepared for such direct questions. “I’m okay,” he says, but the truth is circling him like a pack of feral dogs. Words waiting just below the surface force themselves out as a series of grunts, punctuated by faint squeaks. “They were bullies, those boys,” he says. “I wanted them to be my friends, but they were bullies. I knew they were and I didn’t care. I wanted to have some friends. It was their idea, pushing that trailer into the road. They tried, and could hardly move it. But I was stronger than all of em. I was the one who pushed the trailer into the road.” He feels the coldness in his hands. The steel. Owen wouldn’t, couldn’t, have done it alone, but he did his part and those brothers died. He knows this and has known it since that night, but he feels like he’s going to explode if he doesn’t tell Gary about it. “We thought the next car would just crash into the trailer frame. It wasn’t that big. But they swerved and went into the water. It was too dark to see. I only heard it,” his last few words a croak so low and guttural, Garrett thinks he’s clearing his throat.

Owen paws at the chest of his jacket. He wants a cigarette. He searches deep in his pants pockets, thinking of his crazy pills, Miss Derks, and Dr. Atombomb. He can see and hear that Garrett is upset. He knows it’s about his dead little girl. He wants to help, but he doesn’t know what to do except keep pretending he is listening. He catches up a couple of breaths, pushes aside his own story and puts a question into words he hopes will help him forget again. “Okay, but, eh, I don’t really get how all that stuff with your little girl caused a crash.”

Garrett pivots on the gravel and looks down the darkened highway. The cerulean glow of the sky reveals the broken center line to the point where it disappears into the black shadows of the willows. “There was no crash,” he says, staring blankly at the middle of the road. “Not really.” His resignation is so complete his knees begin to wobble. “She got run over by a logging truck.”

“Oh,” was all that Owen could muster, his mind’s hands gripping the dream trailer hitch, pushing. He hears the boys’ laughter. And his.

Garrett firms himself up a little and continues, forgetting the concern he’d just expressed for Owen. “We were just coming to the bridge when she opened the door. She was screaming, I’m gonna jump if you don’t stop this fucking car! The wind—there was this big sucking sound and I could see the edge of the road going by—she was pushing on the open door, leaning out, screaming at me to stop.”

The vivid description breaks through Owen’s endless loop of shame. He does not understand how anyone could be so angry at their own father, or how a father could be so angry at his daughter. He never knew his father or been a dad, but he understands cars and danger and death.

“So, I stopped,” Garrett says in a high, questioning voice, sounding and feeling astounded. “She rolled out and slammed the door. I don’t know what I was thinking. Another car almost rear-ended me right there, so I figured I’d park the car on the other side of the bridge and walk back for her. I didn’t think about how drunk she was. I never thought…” Garrett feels his throat catch, his will fail. He crumples beside his daughter’s shrine and gives over to sobs.

For Owen, the sight of a grown man weeping is more affecting than words. He steps forward, drops to his knees, and puts his hands on Garrett’s trembling shoulders. “It’s OK, Gary,” he says. “She’s in heaven now.”

Down the highway, the tunnel of willows begins to glow as headlights approach. Twin halogen spotlights break around the curve and illuminate the roadside tableau of kneeling men. Garrett averts his eyes down to the road and in that instant the black-red stain opens up before him, darker than the asphalt. He turns to the brightening cross, clutching Owen’s wrists, but the pool of blood persists like an afterimage of the sun. He wants to reach out to the cross, to Miranda. Only the firm hands on his shoulders seem real. He clutches Owen’s wrists.

Steadying himself on Garrett’s shoulders, Owen squints into the high beams that brighten with the rising blare of the engine. The light and noise seem to be aimed directly at them. As the machine shoots past not six feet away, the driver lays on the horn. Startled, they leap as one away from the road, and Garrett trips on the netting, bowling into Owen. They tumble down the gravel slope and roll into the mud at the edge of the slough—unhurt, on their hands and knees, face to face in the stinking silt.

It dawns on both of them at once that they are stuck; each extremity sinks deeper into the sludge as it pushes to lift its opposite.

Owen isn’t sure exactly what has happened. There is pain in his elbow and his hip, and he can’t move. “Help me, Gary,” he pleads, panic beginning to set in. Not being able to move his arms and legs reminds him of being sheeted in psych wards. He begins to struggle, increasing the mud’s grip.

Garrett hears the desperation in Owen’s wheezing gasps. “It’s okay, Owen. I got this,” he says before he has devised a plan. He understands what has happened and feels stupid and clumsy. He thinks, This is just what I deserve, but says, “Sorry for knocking you over, Owen.”

Owen’s panic deepens. He begins to push and pull, the ooze sucking at his limbs. His mind flickers with fears remembered; sheets and blankets firm against his effort to escape, sweat pouring from his face. His breath is quick and shallow as he works himself deeper into the mud.

Garrett sees that Owen is panicking. “Owen! Hey! Listen to me.” This stops Owen’s squirming. His physical instincts racing ahead of his thoughts, Garrett says, “Lean your head toward me.” Owen nods slightly and complies. “Okay, now touch your forehead against mine.” Trusting, Owen extends his neck and leans his head toward Garrett, who slowly lowers his own forehead until what years ago had been his hairline is pressed against the front of Owen’s bucket hat. “Okay, now, push!” shouts Garett. For an instant they are head-butted together like two muddy billy goats. “When I say go, lift both your arms at the same time.”

Someone watching from the road would have seen two men rise from the mud like dancers in the dark—pressing together first their heads and then their emerging arms and hands, climbing one another like a Jacob’s ladder until they were statues of mud, hands upon each other’s shoulders.

Owen is so relieved to be able to move his arms again that he nearly comes to tears. Garrett is thinking of their exit strategy. His builder’s eye estimates the distance to the gravel verge and tells Owen, “Okay, I think we just gotta fall over toward the road.”

That same observer would see the two mud statues topple over in slow motion and come alive, wriggle up the shoulder of the road, then softly shake together.

Owen has always had a hard time understanding what everyone was laughing about. He seldom thinks much is funny. But when he and Garrett are in the middle of helping each other skootch and worm their slimy bodies onto the gravel, something about it makes him laugh. Garrett hears the glee rising from Owen and feels his own belly laugh coming on, but manages to hold it until he is sure they have worked their way out of the jam. Then, even as the sulfurous stench surrounds him, thinking of the mud as jam, feeling that it has taken his sneakers, his blackened toes protruding from his muddy pantlegs, the absurdity of their plight strikes him like a punchline, and his laughter bursts out.

A fugue of laughter without words or thought rises and falls in the darkness.

For several moments they quiver in breathless, mud-covered joy next to Miranda’s clean white cross. Owen isn’t sure what is happening, but as his laughter recedes it is replaced by another feeling for which he does not have a word.

What is the word for how you feel when you find a friend?

“Just happy, I guess.”

“What’s that, Owen?” says Garrett. As his breath returned to him, he’d thought about building a bench here with Miranda’s name on it. A nice place to sit together and watch the sunset.

“I’m just happy, I guess,” says Owen.

“Me too, Owen.”

Garret remembers something he was going to say, but remains silent, thinking of things he plans to do.

His new nickname will be Gary.

                                                                       

 

 

 

Alto Rhapsody

 

 

Like an unbelievable promise, the desert town ahead was the only thing in Doreen’s vision not still in the grip of the sweltering day. From the top of the grade, its early evening lights appeared cupped in a hollow hand of shade extending from low bluffs that rose behind the distant buildings, while a deepening red held claim on the land for the unseen sun. The rocks and sand that blurred past Doreen’s tinted windows burned with scarlet remains of daylight.

As she raised the visor and removed her sunglasses, Doreen could feel the heat in her steering wheel and see it in the red-washed leather of the empty seat beside her, urging her eyes to the soft lights in the haven of shadows ahead.

She drove the 200 miles from Las Vegas to Barstow every few weeks to spend time with her friends, Connie and Charlie and their twin boys. She needed to get away from Vegas and the people there who thought they knew her—to be where she felt at home, with people who felt like family.

Connie had married Doreen’s oldest brother, David, when Doreen was sixteen, a year before David drowned in the surf at Redondo Beach. An ex-sister-in-law was as close as Doreen got to family anymore. When she left home during her senior year of high school, Doreen went straight to Connie’s house. Ten years on, she knew she would always be welcome there.

With Connie and Charlie, Doreen could shed for a time the personality she’d constructed over the years. Doreen had never been happy with the professional persona she’d assumed, though it had served her well in Vegas. Her part-time job as a dancer had turned into a lucrative career, she owned her own home up a quiet arroyo outside of town, and she finally had a car with enough head room—a Mercedes SUV, no less. She was financially secure at the age of twenty-eight. She had won.

She accepted the cycle of depression that drove her to seek refuge in Barstow twice a month as just part of the price she paid for the safety that she’d thought of as success.

Ten years ago, when Doreen O’Sullivan began changing into Dory Blair, any price would have seemed like a bargain.

                       

 

After a series of army bases and volleys of infidelities in both directions, Doreen’s parents had divorced when she was twelve. Her father signed on for duty in Thailand, and she ended up sharing a two-bedroom apartment with her mother and Kenny, the younger of her two older brothers. Her few friends from junior high were assigned to a nearby high school while Doreen and her brother—snagged in a narrow spike of political boundary thrust into their low-rent neighborhood—were bussed to a preppy school in the Palos Verde hills. Doreen didn’t know anyone at Golden Hills High and felt completely out of place; wrong clothes, wrong hair, no boyfriend. She was desperate for friends, but ones who had nothing to do with her lowlife brother Kenny. She already saw too much of him and his drugged-out accomplices.

Cheerleading had never entered Doreen’s thoughts until freshman year, when she was chosen by a popular junior named Becky to be her sidekick. Such an honor for a lowly scrub could not be refused, and cheerleading was assumed to be part of the job. In exchange for a peer group, dance lessons, parties, and rides to The Sunset Strip on the weekends, Doreen became a cheerleader and played the foil Becky needed.

It was more than she could have hoped for.

Even by her family, Doreen had never been considered cute. At thirteen her long face had not yet broadened and softened into the features that would make her a beautiful woman. Her mother told her cheerleading would help her gain confidence with her new, ungainly body and cultivate some poise, but Doreen knew her mom was just happy to have her away from the apartment afternoons and evenings so she could pursue the full-time job of finding a new husband. Doreen, at five feet eleven inches and growing, was just hoping to find a tall boyfriend.

By the time she became aware of the thick layers of phoniness in the clique culture of the school, Doreen was stuck in a web of unsatisfying relationships that were nonetheless the only ones she had. She took comfort in believing that she wasn’t as shallow as those around her. After all, she was serious about her schoolwork—even cheerleading. She enjoyed the hard work of the dance routines, and was becoming an excellent dancer. But every day she felt the frustration of having to fund her emotional credits with the same deflated currencies used by her peers: half-truths and denial, fair-weather loyalties, gossip and backstabbing.

Music is what really kept Doreen going, and the joy she felt in singing. She’d always loved singing, but it was only to an empty apartment or the shower—until Becky heard her singing along one afternoon during a dance routine, and told her she could pick up a guaranteed ‘A’ by taking choir.

The first time choir director Norton Welty heard Doreen’s big contralto, a wedge of fermenting ambition ripened in the frustrated opera singer. Ever since he’d given up the struggle to succeed as a performer and accepted a teaching job, Norton had hoped to find his greatness through a student. When Doreen auditioned for his choir at the beginning of ninth grade, she looked to him like any other young girl—unusually tall perhaps, but just a gangly kid.

“Why is a basketball player like you auditioning for my choir?”

“I hate basketball,” she said with a well-practiced eye-roll.

When Mr. Welty heard her audition that morning, he botched his scales at the sound of her, and found himself staring. She made the most womanly sound he’d ever heard from a student. The excitement he forced himself to hide that day was almost erotic. Over the next three and a half years, as Doreen’s body grew to match her voice, his excitement grew and he hid it less and less.

Mr. Welty groomed Doreen to be his featured soloist. Golden Hill’s a cappella choir became her backup singers. By junior year Becky was gone and Doreen was being treated like a star athlete. She quit cheerleading, but Mr. Welty insisted that she continue taking dance classes—even offering to help her mother pay for them. She received music lessons and academic tutoring that her mother could never have afforded. Missing homework was mysteriously excused. Deadlines became flexible. Her teachers seemed to grade her on a different scale. She maintained A’s and B’s, while doing less and less regular schoolwork.

Doreen’s life began to revolve around Mr. Welty. He drove her to madrigal choir before school and to performances at night. Charging nothing, he gave Doreen all the coaching and extra practice she needed to perform the demanding music he selected. Doreen was flattered. He urged her to strive for the aesthetic experience. She was entranced. Ours is a special, once-in-a-lifetime relationship. She was in love. Exactly at what point Mr. Welty’s close attention became physically intimate, Doreen could hardly tell—she had been deeply penetrated emotionally long before.

                       

 

When she pulled off Interstate 15 at Scenic Vista 32, Doreen was glad to see the parking lot empty. She loved it when her schedule and the season came together like this, putting her at the top of the rise, knocked out by a big-show sunset.

She slid from the arid cool of her car into the scented heat of the evening. Rising through the windless dusk, the warmth filled her sleeveless shift. There is a moment at the end of every desert summer day when the heat radiating from the land overtakes the thinning warmth of the air no longer infused with sunlight. Doreen was always uplifted by that moment, the easy heat drifting from the ground without interference from wind and sun, leavened by the fragrances of creosote and sage.

Doreen breathed more deeply than she had in weeks.

In many ways she still enjoyed her job. Dancing, even in the overblown Vegas productions in which she starred, gave her a kind of satisfaction that would be hard to replace. But the bullshit was endless. The constant negotiating with the casinos, the managers—even with her own agent—the competition between her and other girls, and her general lack of trust in anyone made it hard to have friends. Worst of all was the hustling and cruising. Hit on and propositioned several times a day, she never let her guard down.

In a gem of silence between the howling of cars and trucks, Doreen began to sing.

Out of the fullness of love?”

The Brahms Alto Rhapsody she never got to perform. She thought of Mr. Welty. All those months of rehearsal, and then he was gone. She controlled her memories of Mr. Welty with discipline, remembering him only in connection with the music. Her ritual, when she was truly alone, was to sing as he had taught her, as if she were performing, as if he had not destroyed her life.

He furtively consumes his own merit…”

Her notes were sure and full, her voice like an organ pipe viola. She felt especially good here, her voice echoing, then escaping into the stillness—as if she could feel through her closed eyes the shape of the silence around her by touching it with her voice.

 “In unsatisfying egoism…”

She could see Mr. Welty leading the boys of the choir as she soared above the chorus that followed.

Open his clouded gaze… To the thousand springs… Next to the thirsting one… In the desert.”

As the sunset died, she turned her attention to the town below, lights wavering through the heat like reflections in deep, rippled water. Beyond the glimmer, the sharp daylight clarity of the mountains along the horizon had become an indistinct mass of indigo—the last trace of day, a jagged line of blood that faded at its ends to starry darkness.

A meadowlark appeared on the cattle fence that separated the interstate from the desert. She trilled her obbligato, cocked her head, and hopped along over the barbs, then flitted into the brush. Doreen heard the crackle of her sandals on the gravel as she turned, the ticking of her cooling engine, and the muffled pleading of her cell phone.

                       

 

The best part of the sunset was over by the time Ray geared his rig to the top of the last hill. He was disappointed, but he’d scared himself twice in the last hour shaking off sleep, so seeing Barstow in the distance was better than a sunset. He clutched up a notch for the compression run down Interstate 40 into town.

Minutes later a sudden echo from a road cut amplified the machine-gunning of the jake brake, startling Ray out of another dangerous lull. He thought about the useless hitchhikers asleep in his bunk.

 

Ray’s policy on hitchhikers had changed over the years. Just twenty-one when he first got his rig, he’d pick up anybody he didn’t have to pull over for—at truck stops and diners. He officially swore them off a couple years later when he got married, but he didn’t actually quit picking them up until Ruthie was born. Now divorced, and just shy of thirty-two, he’d started picking them up again sometimes. He always kept an eye out for guitar cases.

Mike and Carol had been stuck at the ag inspection station long enough to look hopeless, but Ray thought they were too young to really be as desperate as they appeared. He told himself he could use the company to help him stay awake, but he was looking at the well-traveled guitar case. He felt foolish trying to size up a player just by his case, but he couldn’t help it. He did it every time.

Carol had leapt by Ray so fast on her way up into the sleeper that later he would be unable to describe her clearly. But from a flash of face he knew she was angry.

Mike took shotgun, hugging the guitar case stiffly. Ray decided he didn’t look settled with that guitar and probably hadn’t been playing long, but he’d been wrong before—maybe there’d be a little jamming before he hit the sack.

After a few minutes of small talk, Ray got around to guitars. “So, what you got in the case?”

“Oh, you know, just an old travel guitar,” said Mike, shrugging. Then, his voice rising as if to tease out a secret, “What kind of guitar do you have?”

“It’s a pretty good ol’ Martin dreadnaught.”

“Hmm…” Mike hummed. Sliding lower in the seat, arms wrapped around the neck of his case, he stared at the headliner and smiling slightly. Without a glance at Ray, he adding, “Nice. I’d like to see it.”

Annoyed with Mike’s non-engagement, Ray got to the point. “OK, well, what do you like to play? I got my guitar with me, maybe we can heat ’em up a little when we get to Barstow.”

This did not seem to register with Mike, who said nothing.

Ray’s impatience, fatigue, and adrenaline pushed him forward. “Yeah, well, I’m going to get some shut-eye in Barstow but I like to play for a while before I try to go to sleep ‘cuz, you know, no matter how cold-cocked you are at the wheel you gotta unwind a little or you hit the sack all tired-n-wired.” Ray huffed a laugh and checked for some response. He felt like a jerk rattling on with Mike so distant, but he could feel the lack of sleep in the twitching muscles of his face. He wanted to get Mike going, get him talking. Mike looked like he was doing algebra in his head, so Ray went on, “We don’t have to sit up in the truck and play. This friend of mine owns the motel at the truck stop and he’s got this room out back…”

Mike interrupted, straightening up a bit, his energy level spiking, “You mean you’re not going straight through to LA tonight?”

“No, man, I been going since Albuquerque this morning. I’m pretty wiped out. Get to Barstow I’m gonna get me a beer, play a little and crash.”

“Hmm… yeah,” Mike said, slipping back into a laconic haze. “Well, I guess we’ll get a ride with somebody in Barstow…”

Ray thought, These guys aren’t hooking on with anybody tonight. Nobody’s going to want to get to LA in the middle of the night—especially when Connie’s having a party. But he said nothing.

After twenty miles of silence, Ray began asking Mike about music and guitars again, trying to tell if he was enough of a player to make it worth getting Charlie’s room for them to play in. Mike talked about life as a street musician and Ray started figuring on putting them up and taking them into LA with him the morning when he heard Carol’s voice for the first time.

“You are so full of shit, Mike.” Ray pushed on the steering wheel with both hands, snapping himself upright. He’d forgotten she was back there.

“Shut up, Carol.” said Mike. He lowered his head and sent an angry look sidelong into the sleeper at Carol. Ray could sense his rage.

Carol sneered, “You bullshit everybody, about everything, and I’m the one who’s always got to hear it. You gonna tell him the story about why we had to get out of Phoenix so fast?”

Mike brought his head still lower, eyes slits, “I don’t know what you’re talking about, and you don’t know what you’re talking about either, so just shut the fuck up.”

“Why did we have to sneak off so early this morning, huh? You never get up that early without a good reason.” Ray could hear the taunt in her voice.

Now Mike turned toward Carol, in the sleeper directly behind Ray. He looked calm and spoke softly and slowly, from his throat, through grinding teeth. Over the noise of the engine Ray barely heard Mike growl, “Shut your fucking hole, Carol.” Ray felt Carol fling herself onto the thin cushion of the sleeper. Mike’s steely glare was chilling.

Ray did not hear Carol’s voice again. But her flop onto the little bed was violent enough for Ray to hear a familiar rattle: his dad’s Korean War bayonet, in its fraying scabbard, tucked into a gear pocket with some tools. It worried him that its grip might be sticking out conspicuously. He berated himself for leaving it there after he cleaned and sharpened it last night. He usually kept it right behind his seat, within easy reach in an emergency that had never happened yet.

                       

 

“Hi, Connie.”

“Doreen! You coming or not?”

“Connie, Connie, I’m sorry.” Doreen gathered herself back to the present. “I’m already here.” She turned the key and put the Mercedes into motion. The highway was nearly deserted. A faint trace of tail lights, accented by the occasional northbound glare of high-beams, was all that showed the way down to the splatter of lights that was Barstow.

“Where?”

“Up on the pass, at the turnout.”

“Jeez, you are here already. What are you pulled over there for? You alright? Why din-choo call me?” Hearing Connie, her hardened r’s, her words sliding together, always made Doreen feel like she was home.

“Oh, you know how I get on a roll and forget. I’m just up here looking at the sunset.”

“Sunset? It’s dark already. You should-a called me, Dory.”

“I know, I know, I’m sorry, but you knew I was coming and I never know when I’m going to be able to get away from that place, so… you know, but hey, are you really having a party?”

“I always have a party when you come and Charlie and the twins are gone.” Connie dropped the critical tone. All was forgiven.

“You always say you’re going to have a party but luckily nothing ever comes of it.” She accelerated past a Winnebago. Flecks of neon were becoming distinguishable within the bloom of lights at the edge of town.

“Oh, it’s happening this time fer sure. And not just the truck stop crew either. Lots of people know about this party. It’s gonna be famous!” Doreen could hear Connie’s toothy smile through the phone. She knew this time Connie wasn’t kidding.

“What did you do, pass out flyers?”

“Nothing that bad, just a few signs in the right places.”

Doreen let out a full-bodied sigh. “Oh, god, Connie, what are you up to? You know I’d rather stay home with you—or go out to the roadhouse.”

“Well tonight we’re going out and staying home at the same time.” Doreen loved Connie. She sensed the older sister tone in her voice and didn’t argue.

“OK. Who’s coming?”

                       

 

Ray shook himself and jolted upright. He couldn’t recall turning on the radio and Mike was climbing back into the seat beside him, but Ray didn’t remember him going into the sleeper. It was a long, straight roll down the hill to the town. He’d been drifting again.

Mike croaked, “You got a cigarette, man? Is that Barstow?” He sounded as sleepy as Ray felt.

“That’s it.” Some right-wing demagogue was retching on the over-cranked radio. Ray turned it off. Mike stared at him expectantly. Ray shook his head, a little bewildered, “Oh, no, don’t use ‘em.”

“Where do you think’s the best place to catch another ride?”

“I’ll take you where the trucks are.”

Ray liked to get off at East Main and take old 66 through town to the truck stop—while it was still legal to take a big-rig through town. Moths and June bugs formed swarming hemispheres of specks around the streetlights and neon. People appeared in slow motion on the sidewalks, still-life in the panes of window light. On all those trips to Kansas, with his mom and sisters sleeping in the camper, Ray riding shotgun with his dad, they always stopped in Barstow just at dawn for breakfast. As phony as the downtown nostalgia was, it could still put a lump in Ray’s throat if the right song was on the radio. But tonight, he only felt Mike and Carol’s tense silence. He was looking forward to unloading his unhappy passengers and had decided to sleep in the cab. He’d known all along he wouldn’t actually go to Connie’s party. All he wanted to do was get some sleep.

                       

 

Doreen avoided going through town by staying on the interstate past the junction and getting off at Avenue H. The small-town glitz on 66 was depressing. What she liked about Barstow was Connie and Charlie and their boys—and the anonymity it gave her. When she and Connie did go out, it was always to the roadhouse up on 58. Not being known by anyone felt so delicious. Doreen had been visiting Connie for the past ten years, but the only people she knew in Barstow worked at the truck stop diner Connie managed. Now Connie was finally having the party she’d threatened to have for so long. So much for anonymity.

They had been arguing about it since Charlie first got Doreen a job in Las Vegas: Connie wanting Doreen to settle down and get married, Doreen wanting to stay detached, keep her professional life protected and her personal life free of commitments. They both knew Doreen had arranged her life to be a kind of scab, though Doreen refused to admit it and Connie didn’t press. Connie felt the wound had healed enough, but Doreen was too afraid to look.

Connie met Charlie ten years ago at a casino where he gambled for the house. She was trying to get over losing David, and Charlie was looking for a good reason to get out of Las Vegas. After a month of lost weekends, they got married. With his winnings and her insurance money they bought a motel in Barstow with an old farmhouse in back. Within a year, Charlie was managing the truck stop next door while Connie ran the diner for the same absentee owners. Connie and Charlie formed a good working partnership. They took to the hard work and to each other with similar passion. Connie thought Doreen just needed to find a Charlie of her own and she’d be fine.

Doreen tapped her cell phone again as she neared Connie and Charlie’s restored Victorian on the street behind the motel.

“Connie?”

“Dory? I thought you were just about here.”

Doreen heard Freddie Fender in the background. When she heard the screen-door slam her stomach tightened. Instead of turning down the music to talk, Connie had walked out to the porch. She really was having a party.

Connie and Charlie’s was the only house in an area of warehouses and junkyards. Making the familiar right turn, Doreen was shocked to see the usually-deserted street lined with cars. She felt a flush of panic and drove right past Connie’s house.

“I am here—I mean, I just drove by.”

Connie, party-ready in silver and turquoise, jangled down the porch steps toward the street. “What? Where? I don’t see you.”

“Well, actually I’m just going around the corner by the motel.”

“What are you doing? Come on back. You can park in the driveway.”

“I’m tired, Connie.” She realized as she spoke that she was lying. “I’m just going to get some dinner and go to sleep in Charlie’s room. I’ll see you in the morning.”

Connie wouldn’t hear of it. Determined to change Doreen’s mind, she walked out to the street toward the diner. Doreen continued to drive around the big industrial block fending off Connie’s persuasions. Wracked with indecision, Doreen drove past the truck stop and came back around the block.

Connie was standing in the middle of the street. Still arguing into her cell phone, she climbed into the Mercedes. Neither of them wanting to give in, they would not look at each other and for a moment they continued talking through their phones. But in an instant of recognition, they giggled like sisters and embraced.

They drove eight more times around the block.

Ever since their big falling-out toward the end of high school, Doreen’s only contact with her mother had been through Connie. The second time past the truck stop Connie asserted her big sister status. “It’s not about the party, Doreen. It’s about your life.”

“I’m doing pretty well,” said Doreen. She tried to sound indignant, but her lack of conviction betrayed her and she sounded pathetic instead.

“Oh, sure, you’re rolling in dough, but that’s not real life, Dory.”

Doreen was surprised that Connie was bringing up issues they’d both stepped lightly around for years. Connie could see that she was speechless and pressed her advantage. “No matter how busy you keep yourself or how much money you pile up, you know you’re not happy with what you’re doing. Loneliness can tear you up inside, Dory. I know, I been there. Pretty soon there’s nothing left. You’re just empty. You’re going to regret it big-time later if you don’t do something about it pretty soon.”

The fourth time around the block Doreen started to defend herself. “I’m not that bad off, Connie. I’ve got a new agent, and I’m doing more singing than I’ve done in years—she might even get me hooked up with another tour.”

“Yeah, great you go ahead and be another back-up singer for another country-western asshole.”

That road trip had been the longest three months of her life. The memories were too painful to continue arguing in that direction. She fell into whining. “Come on, Connie, I come down here a couple of times a month to take it easy and I just don’t feel like going to a party when I’m here—parties are too much like Vegas.”

“Oh, but you don’t mind going to the roadhouse every time you get itchy—that’s not too Vegas for you, no—you haul some cowboy back to the motel and I end up going home alone.”

Doreen winced, then jabbed back. “That’s really unfair, Connie. I’m entitled to have a sex life and it’s none of your business.”

“It is when I feel like your pimp.”

Half a block of silence passed with Connie leaning on the window, looking sorry, Doreen fighting tears. A strangled, “Fuck you, Connie,” was all Doreen could muster. She could feel the truth in Connie’s words, but she resisted.

Another turn around the block and Connie was pulling family rank on her again. “You cut yourself off from your mom and your brother, Dory, and I’m tired of being the go-between.”

When Doreen seemed beaten, Connie softened. “OK, OK… but you’re not gonna find a husband that way.”

Doreen repeated the ready response that was less convincing every year, “Maybe I don’t want a husband.”

“I know better, Dory. You think you fixed yourself up all on your own, but I was there when you were right on the edge and I know you need other people—you’re just scared to let anybody get close. I know why. I understand. But you gotta move on Doreen.” When Doreen said nothing, Connie seized her opportunity. “Come on, Dory. There’s nothing to be scared of. Verdina and Holly’ll be there and Manny and Jose are coming over after their shift. Everybody who’s coming are good people. You won’t have to put on a show for nobody. You’ll have a good time.” She smiled broadly and lightly punched Doreen’s shoulder. “And I got some good news I’m going to tell everybody.”

Doreen perked up slightly. “Yeah?”

“I’m pregnant again.”

Doreen turned toward her friend and fairly squealed, “Oh, Connie, that’s so great!”

Connie was coming out of her seat with excitement. “Yeah, I’m already three months along, so it’s really gonna take this time—and Dory, I got ultrasound pictures and it looks like it’s gonna be a girl!”

As Doreen made another right turn in front of the motel, her body seemed to give way inside. She was numb. She had saved her own life, but now it felt like someone else’s—living out a script in Las Vegas, with a cast of familiar strangers, playing a part she was made for, in a show that never ended.

She wrapped her arms around the steering wheel and hugged it, chin resting on top. Glancing at her friend several times as tears began to fall, she wanted to stop the car and hug Connie, cry on her shoulder, thank her for being alive. But she forced her focus to the right turn past the truck stop, back to Connie’s house.

“Dory, wait! Look. Something’s happening. Turn in.”

                       

 

On the west side of town, the storefronts and clutter of old structures opened up to the desert again. From the cooling bottom of the wide arroyo ahead Ray smelled the ghost of the winter river through the creosote and diesel of the railyard. On the south side of West Main, humming and blinking like a respirator, the Heartland Truck Stop and Motel was keeping the old highway alive where it cut across the dry flats above the riverbed full of boxcars.

Ray angled his set of doubles across the empty eastbound lane of 66 and eased it to a halt in his usual spot between the diner and the motel. Basking for a moment in the glow of the diner’s window, he shut her down for the first time all day. As the familiar noises of the truck stop replaced the dull roar in his ears, Ray felt as close to being home as he ever did anymore. He stretched his tired arms and let them dangle. Muscles relaxed that he had not known were taut, and he was left with the pressure in his bladder and bowels.

Mike had gone back into the sleeper as they were getting off the interstate. Ray called to the strained whispers and rustling in the dark bunk, “I can see about getting you guys another ride, but you gotta pack up. I’ll be back in a minute.”

When he got out of the restroom ten minutes later, Ray was wishing for a shower. He knew the emergency number above the pay phone would dial up Charlie and Connie’s place behind the motel. The motel was full, but Ray and Charlie went back to Ray’s first day in a truck and Ray knew he could stay in the room Charlie kept for poker games and friends. If there was a party at the house, that meant Charlie was out of town and he’d have to talk to Connie about the room. He hoped she hadn’t promised it to someone else. Ray felt bad about begging off on Connie’s party and then asking her for Charlie’s room, so he started thinking maybe he’d put in an appearance at the party just to get the key. He’d call her up and play it by ear.

As Ray reached for the phone, Gino, the night mechanic, ripped open the door of the diner and ran in. “Ray! There’s some kind of fight going on in your truck, man, you better get out there.”

Ray was through the door before Gino finished.

                       

 

Doreen turned off the highway and pulled up short. Everyone at the truck stop was running toward a semi-truck parked next to the motel. There was already a small crowd of truckers below the open door of the cab.

“Oh, Jeez,” said Connie. She sprang from the car and ran to the diner.

Doreen edged forward. She wanted to see what was happening, but she did not want to give up the safety of her vehicle. Her headlights glanced off the jeans at the fringe of the crowd and she stopped. When the men noticed her lights, she saw a shuffling of Levi’s and Wranglers as they organized an opening in the crowd and waved her forward to light the scene.

                       

 

Mike hit the asphalt just as Ray burst from the diner. Ray heard a thud and looked in time to see him bounce and jerk. He did not see Mike move again.

The Mike’s guitar case had crashed down with him and sprung open. The sickening, musical clatter of Ray’s Martin skittering on the asphalt lingered as Ray froze for an instant, realizing what had happened. As he ran toward Mike’s supine body, Ray’s anger took a twist as he saw his dad’s bayonet protruded from Mike’s stomach.

Hesitating an instant before crouching down, Ray glanced up into the dark cab and thought about Carol. In that moment he knew what she had done and thought he understood why. He wanted to climb up there and tell her something important, but as he tried to think of what it was, he saw Mike bleeding at his feet and tried instead to remember his Red Cross training.

“Mike! Mike! Can you hear me?” Ray shouted. Mike’s face was lifeless, but he was surely still alive the way blood was coursing from him, black as crude in the shadows of the gathering crowd. It had soaked his t-shirt and already begun to pool beneath him.

“Verdie, call 911,” Gino screamed toward the diner, then knelt beside Ray wheezing, “What should I do?”

“Check his breathing and see if you can you find a pulse. I’ll try to stop the bleeding.”

The bayonet was leaning out of Mike obliquely, like a dead tree with roots in a mudslide. Ray figured pulling out the blade would make the bleeding worse. So, with his eyes to the stars, feeling for what he could not see, Ray began groping in the warm blackness for the source of the blood. He hoped Mike’s heart would keep beating.

The truckers in the crowd shouted advice.

“Pull the fuckin’ thing out,”

“No, don’t do that, it’ll kill him,”

“I think the guy who stabbed him is still in the truck.”

Some of them deputized themselves and cordoned off the assailant’s escape routes. Sirens sounded in the distance.

With his hand on Mike’s throat and his ear to Mike’s nose, Gino shouted, “His heart’s beating, but, Jesus, Ray, I don’t think he’s breathing.”

“Well, if I can get a hold of this hole and steady the knife you can do CPR or something.”

Mike’s stomach and shirt looked like a black, gaping hole. Running the fingers of his right hand down the shaft, even the bayonet felt like a sticky liquid. But beneath the warm, wet shirt, Ray felt the puckered lips of the entry wound around the blade. He pressed on either side just firmly enough to staunch the bleeding. He felt as though his hand might slip through the torn flesh if he pushed any harder. As he steadied the handle of the bayonet with his left hand, the fingers of his picking hand down in the wound, he had the odd sensation of playing the guitar. In a flash of panic, he feared he would start laughing and rip Mike’s stomach open, but the crowd around him shifted and he refocused in the light of a pair of headlights that turned the scene a lurid red.

                       

 

When the blue jeans parted in the reach of Doreen’s headlights, she gasped at what she saw. Two men knelt over a third who was covered with blood, a large knife protruding from his stomach. One man she recognized as Gino was bent down administering to the bleeding man’s head. The other was an angular-looking trucker like so many who frequented the diner and the roadhouse. She knew she’d seen him before but couldn’t think of when or where. One of his hands gripped the knife as if he’d perpetrated the stabbing, but she noticed with relief that he was putting pressure on the wound with the other.

Doreen had never seen that much blood in her life. A wave of fear started in her skin and knotted in the pit of her stomach. But then, as she shivered around a core of tension, she was surprised to feel herself detach and begin to observe: three men, one of them probably dying, Gino breathing into his mouth, and the trucker holding him together with his hands. Who is he? Looking off, away from the glare of the headlights, he appeared to be lost in some distant thought while he held his arms and body firm.

Just as memories began to emerge, they were drowned by sirens converging from all directions.

                       

 

The blast of light and the rush of red hit Ray with a wave of nausea. Overwhelmed by fatigue and trying to keep calm, he concentrated on holding his fingers firmly against the soft warm hole, hoping to stem the ooze of Mike’s life. His thoughts began to blur with the swirl of action around him. He was aware of Gino working beside him and of the agitated crowd. He thought of his boss and wondered how this load of furniture was going to get to LA. He thought of Carol and of the kind of person Mike must be to have driven her to this. He thought of his guitar lay on the ground beside him, another victim, and wanted to twist the blade. And he thought of his father and his father’s bayonet. “For protection,” Dad had said. “You can do this one thing for your mother and me, Ray.” Ray had always thought of the bayonet as his father’s way of having the last word in an old argument.

Ray was grateful to the point of tears when he realized that the rising wail he had thought was a panic alarm in his mind was actually outside his head. The ambulance and cops had arrived.

                       

 

Men in uniforms swarmed into Doreen’s headlight tableau. With the crowd shouting and pointing at the cab, police surrounded the truck. One of them approached the open door with a hand on his holstered gun and appeared to speak with someone in the sleeping compartment. An older officer who seemed to be in charge crouched beside the familiar-looking trucker as paramedics rushed in with their gear to take over. The trucker looked dazed and exhausted, but calm. A name began to surface in Doreen’s mind. Waving back the crowd, the officer brought Gino and the trucker over to the diner where Connie, Verdina, and Jose stood watching.

On a signal from the negotiator, the police converged on the truck. Two cops sprang into the cab. A moment later they seemed to be lowering a body out the door. “Oh my god!” Doreen’s exclamation faded into thought: it’s a woman. They cuffed her as she lay motionless on the asphalt. She seemed to be drugged. Doreen had expected that a man had committed this crime, but when she saw that it was a woman her feelings changed and she found herself suspicious of the victim. She wanted to believe the woman they were carrying to the squad car had had her reasons.

                       

 

Ray, Connie, and Gino were conferring with Sargent Dobbs when Carol was lowered from the cab. She had gone into a kind of swoon, like a non-violent protester. Two young cops laid her on the ground, cuffed her and carried her to the cruiser parked in front of the diner. As they manipulated her torpid body into the back seat, her long, straight hair fell away from her face for a moment and, in the midst of her limpness, she turned her head toward Ray and distinctly, to him, with bloody, swollen lips, she mouthed, “I’m sorry.”

                       

 

Doreen watched the paramedics strap the bloody body onto a stretcher and load it into the ambulance. The one holding the bayonet climbed in back with the stretcher. The driver slammed the door and raced to the front seat.

As the ambulance screamed away, Ray went into the diner to clean up. When he came out, Gino told him his guitar had been taken to the police station.

Doreen saw Connie and Ray talking outside the diner. She remembered him quite well now. Connie gestured and Ray looked toward Doreen. She glanced away and felt herself sink a bit in her seat, but a smile crossed her lips.

Connie was in a hurry to get back to her party. She told Ray he could get a ride to the police station with her friend, Dory, in the SUV. Ray had heard of Dory Blair from Charlie. Some of the guys had seen her in one of those big shows when they’d gone to Vegas with their wives. She was supposed to be quite a babe, but Ray had never seen her. He stayed out of Vegas if he could.

“Connie volunteered you to drive me over to the police station. Do you mind?” He continued to ask the question for a second with his eyes. When she opened her mouth but no words came out, he turned and walked around the Benz, opened the passenger door and leaned into the interior. “Seems like I’m the proud owner of a crime scene and a murder weapon,” he said. Emotionally exhausted from her talk with Connie and now with the shock of all this blood, Doreen continued to stare blankly.

As he often did, Ray made a gut-check decision, hopped in, and closed the door. He’d borrowed a clean work shirt with a Gino patch above the pocket, but the dark blotches on his jeans Doreen knew were blood. “Quite a rig you got here. My name’s Ray.” He extended his hand and Doreen was hit with a rush of male sweat and soap from the diner restroom.

“Oh… yeah, thanks, Ray… eh, I’m Doreen.” She reached out and her long, cool fingers met his warm, sure strength. His calluses scraped the softness of her palm, giving him a twinge of self-consciousness and her a hint of pleasure. He would like to have held her hand for hours, but she abruptly pulled away, trying to straighten out her thoughts.

“You sure this is okay? I didn’t really want to go in a cop car.”

“Sure. No problem. Let’s go.” Slightly confused, but oddly excited, she steered through the still-buzzing truck stop and onto the highway into town.

While her eyes on traffic, Ray took the opportunity to look at Doreen in a way that was usually not possible between two people just meeting. She was regal, filling the space beside him with long, fluid movement. Legs and body, arms, neck, and head—some thinly veiled in white cotton, some warmly shining in the flesh—animated the cold florescence of passing streetlights.

“So, what happened?” she said as she settled into her lane. “Are you alright?” Ray assured her that he was fine and recited what he knew of the ballad of Mike and Carol while they drove across town to the police station.

 

“Is your guitar OK? Where’s the case?” Doreen asked when Ray came out of the station and maneuvered into the Mercedes with his scratched and naked guitar.

“Well, not that great, but fixable. That was Mike’s case. My case is still in the truck.” Pivoting in his seat, Ray carefully placed his vintage Martin in the back seat. As he pulled the seatbelt across his exhausted body he began to sag, his chin almost to his chest. Then, with a self-conscious glance at Doreen, he snapped himself upright. “OK, let’s go over to the hospital and see how Mike is.” It surprised them both that he even cared.

“What do you think’s going to happen to Carol?” Doreen asked, merging into the light traffic on East Main.

“Dobbs thinks she’s going to claim Mike kidnapped her or something, I don’t know. But he told me if there’s a trial, I’ll probably have to testify in San Berdo, so I’m not supposed to go on any long vacations.” He shook his head and chuckled softly to himself.

“Where do you live?”

“Oh, over by Riverside. You know where Forest Falls is out there on the far end of Baseline?”

“Sort of—I think we went to the snow there once when I was little.”

Ray looked her up and down for a second and couldn’t help himself. “You don’t look like you were ever little.” He could taste his foot in his mouth as soon as he said it.

Doreen had heard comments about her height for years—most of them far less innocent. She thought nothing of it, but a practiced look of disapproval still seeped into the corners of her mouth—enough for Ray to notice. She sensed Ray’s awareness of his faux pas and found it sweet. She smiled broadly at him and he laughed, “Yeah, well, I got a little place up there.” Then, with a sly smile he let go, “Well, now that I brought it up anyway, how tall are you?”

For some reason that tired question sounded different this time. “Six feet three and a half, and, no, I do not play basketball,” she said, still smiling. It felt good to be telling him something personal.

“Okay, I’m six-two, and I do play the guitar,” he said, nodding his head at the fairness of their official exchange of particulars.

 

At the hospital, they found out that Mike had not bled to death. He was in surgery repairing the damage to his gut, but, more seriously, he had broken his neck falling from the truck. He was expected to live, but the nurse at the desk confided to them that in cases like these, paralysis was common.

They walked out of the hospital in silence, Ray thinking about his father’s bayonet (Why did I let him talk me into it?), Doreen thinking about a younger Ray (He doesn’t remember me at all.) When they got to the car, Doreen looked at the neon sign across the street and said, “Come on, let’s get a drink.”

They stood before the door of The All-Nighter for a few moments, looking at the glowing haze of grease on a window crowded with beer signs. They turned toward one another and both said, “Let’s walk.”

A side street led to the riverbed. They lifted their faces to the hint of moisture on the breeze, as cool as warm skin. Leaning against a stucco wall beside the railroad tracks, they talked. He began his stock story of buying the truck with inheritance money from his grandmother.

“Weren’t you supposed to go to business school or something?” she said, suppressing a smile.

“That’s right,” he said, a little surprised. “They were going to send me to Wharton.”

“I know, your dad wanted you to take over the family business, and when you ran off to be a trucker, he disowned you, right?” She could no longer hide that she was teasing him.

“Well, he didn’t disown me exactly, but, hey, how much has Connie filled you in on me?”

“Connie? Not a bit. But I do know you had a really good band at one time. What made you quit playing music?” She rolled onto one shoulder against the wall, turning an open smile toward him.

“Who says I quit playing? One of the reasons I started trucking was so I could play what I wanted to play. I never was much into doing top 40 crap so people could dance. I just wanted to play the guitar, you know? But hey, how do you know so much about me?” He turned his head to study her face under the shadowy street light.

“You really don’t remember me at all, do you?” Having the advantage pleased her.

“Now wait a minute, lemme see… who did you used to be?” Ray crossed his arms and, pressing his back into the wall, searching the stars for lost memories.

She saw he was drawing a blank. “You and your band played all the time at Golden Hills High about ten years ago.”

“Yeah, now…” Squinty-eyed and purse-lipped, Ray rolled his shoulder into the wall as well to face her, pointing a finger at her midsection. “Dory Blair’s not your real name, is it.”

“Well, back that one time when we got drunk together at a party, I was Doreen O’Sullivan.”

Ray jumped and clapped his hands. “Dave! You’re Dave’s little sister!” A look of panic crossed his face. “Shit, I’m sorry. You know, for your loss. Dave was a good guy.”

Doreen felt an old pang and sighed, “Yes, he was. Thanks. But that was a long time ago.”

Ray sighed, too, nodding. Both of them looked up at the stars, thinking of Doreen’s brother.

“Well, I hope I wasn’t an asshole with you or anything,” said Ray, snapping them out of the sad reverie. “I used to get pretty wasted back then. There’s a lot of nights I don’t remember. That’s another reason I got out of the business. Is it too late to apologize?”

She laughed as she realized that this quiet, apologetic man, who hadn’t hesitated to save another man’s life, was the real person beneath the long hair and leather she’d been so smitten with. He may have thought of it as top 40 crap, but Doreen remembered with pure delight dancing in the gym while Ray whipped his band and the crowd to a frenzy with his guitar. She’d been a starry-eyed groupie that one drunken night she’d tagged along with her brother to party with the band. She’d had her hopes up for something, and was disappointed when nothing happened. “Don’t worry, Ray, you were a perfect gentleman.”

Heaving a sigh of relief, Ray, leaned back against the wall, then rolled back onto one shoulder to face her again, closer. Each held the other’s gaze and wondered which of them would speak. A low growl began that grew to a rumble, causing them both to turn and search for its source. The blast of the diesel engine’s horn echoed first off the warehouse across the street and then burst upon them, blaring just beyond the corner of the building where they stood.

After two startled leaps and comical looks of panic, they nearly fell over laughing into each other’s arms.

 

A salsa beat was pouring from Connie’s house when they got to the street in back of the motel. Doreen had been telling Ray about her work in Las Vegas.

“But you were a singer back in high school, weren’t you?” Ray asked at one point. “I mean, I know you were—I remember hearing you my senior year. You were just a freshman, but you could really belt out that classical stuff. You really got some pipes.”

“Well, the short version is that there’s no money in singing—especially classical.”

“So, you’re dancing for the money?” he asked incredulously.

“You’re driving a truck for the money,” she shot back.

Ray nodded contrition. “Too-shay,” he crooned.

“It is really good money, though. I’m a lead dancer and I get as much work as I want. It’s hard to say no to it.” Her words sounded as hollow as she knew them to be. She didn’t have to take off her G-string or dance with a pole or on someone’s lap, but it still felt like she was prostituting herself. But what of it if she was? She wanted to tell him what she thought of her work so he could know who she was and just not care—maybe think all the more of her for being a survivor. She wanted to tell him who she really was so she could be sure of who he really was.

Ray only knew that he wanted to see her again when he wasn’t so damn tired—maybe play a little, hear her sing, find the harmonies.

They’d driven the last few blocks in silence. Ray’s breathing had become so even and deep that Doreen thought maybe he’d fallen asleep. After their walk, remembering who she was and how much he’d enjoyed hearing her sing, his exhaustion had broken through to some kind of high. Now, parked behind the motel in front of Charlie’s room, with the music drifting across the street from Connie’s house, he looked strangely satisfied as he turned toward her and assessed her questioning face through puffy, heavily lidded eyes.

“Do you want to go around to the diner and get something to eat?” she asked him.

“I’m too tired to eat,” he said, and sighed, “And I really can’t deal with that party. He stretched his arms and pulled his shoulders back, straightening himself. “But they won’t let me sleep in ‘the crime scene’ and I forgot to get the key from Connie, so I guess I gotta go in there and get it. You going in?”

“I didn’t want to before, but I think maybe now I will.” She paused, her mind spinning with indecision. “I’ve got a key to Charlie’s room if that’s what you need,” she felt herself reflexively deploy the wide eyes, slight nod to the left, and rising shoulders of her go-to come-on look. Instant memories of roadhouse regret made her wish to take it back. She relaxed to a neutral gaze and struggled to hold it.

Ray’s insides took a spin, but he settled himself quickly. “Do you now?” He gave her the purse-lipped, arched eyes of pseudo-surprise. “I figured you’d be staying at Connie’s.”

“I am, I mean, I do, but, you know, I’ve got my own key because I, you know—use the room sometimes,” she spluttered, all semblance of cool breaking down.

She felt a blush begin and tried to scramble clear. “You know, for privacy,” she said, and let it go at that. But the blush deepened as Ray unbuckled his seat belt and leaned in, his face inches from her shoulder. Doreen smiled as the dim light showed a slight thinning of light brown hair at the top of his head. He looked up and smiled warmly.

“Well then, can I borrow that key from you, ma’am?” he said in his best cowboy voice. “You know—for a little privacy?”

                       

 

Doreen approached the top of the pass, again at the perfect moment. But the sky would not be red this time. Unlike last night’s gaudy sunset in the western sky thick with coastal moisture and city fumes, the sun would rise in the clear, dry air to the east. Blue on blue, above a radiant rim of gold, the sky would brighten, in brilliant anticipation of the dawn.

She was happy she had gone to Connie’s party after all. She was surprised to find herself having so much easy fun dancing and chatting with the crew from the diner. Connie’s other friends were good people, too. Every so often she thought of Ray asleep in Charlie’s room and a peaceful excitement had enveloped her. Though she joined her pregnant sister-in-law in not drinking, they still laughed as they never had before. Around 3:00 AM they scrambled eggs for everyone, and when Connie started cleaning up, Doreen used the SUV to shuttle home those too drunk or sleepy to drive.

After dropping off her last passenger, Doreen had driven back to the interstate. Where she was going and why became clearer the farther into the predawn night she drove.

Singing out at full voice every song that came to mind, she thought of Mr. Welty in ways she had long avoided, and she thought of her mother in ways she never had. As she sang, she forced to the surface memories of herself and Mr. Welty and of her mother and Mr. Welty together. She held these memories firmly until they were solid and heavy, like a stone in her chest. She took the stone from her chest and held it in her hands like a steering wheel. It lightened in her grasp. She imagined throwing it out the window, but her lips tightened to a determined grimace, and she let it go. It was still with her, but she could carry it for a little longer because she knew where she was taking it. She gathered herself to her full six-feet-three-and-a-half, and fixed her gaze on the brightening road ahead. There would be a time for crying later. Instead, she belted out some Sheryl Crow.

Now the sunrise filled her car with amber. The rear-view mirror played the flashing fire into her eyes like a spotlight as she reached the summit of Cajon Pass.

Ahead, the sleeping valleys to the west were filled with misty purple—rivers of cool air converging on the dark, hazy basin she knew to be Los Angeles. Doreen was headed for the polluted heart of that haze.

But she would take the side roads, snug with the base of the mountains that dwarfed the beaded threads of highway, and eat breakfast on her own in Riverside.

                                               

 

Leveling the Flow

 

 

The kick-drum in his dream becomes the door.

“Come on you guys, we gotta get gas!”

“Fuckin’ shit, man!” Alex awakens to the voices of his friends.

“I’m outta here in five minutes, with you guys or not, so get your asses outta bed!”

The room comes into focus. Cindy Marshall’s bedroom. It will never feel his. He loved this room when he shared it with Cindy on the sly—sneaking in together after midnight, quietly fucking in Cindy’s single bed, hiding in the closet from her father’s occasional morning good-byes, Cindy cutting school, sleeping in and playing house all afternoon. But since Cindy went away to USF, this has only been the place he keeps his stuff and sleeps.

Another dream draws him deep into his pillow for a moment. He panics. Fear and adrenaline force his stinging eyes into the gray light. He absolutely cannot miss another day at work. Get up you fucking asshole. “Now!” he bellows as he rolls onto the floor and pushes himself to his feet. Jesus, feels like I just went to sleep. A crashing reverb box is thundering in his ears. He squeezes his head, palms to his temples, elbows extended, and draws a long slow breath to still the roar. Stoner yoga.

He doesn’t have to recall the music from the night before—just a few hours ago—his body still throbs with it. Did we really sound that good? Will it sound that good on tape tonight? Were we so fucked up we just thought we sounded good?

“Fucking shit, I hate this job,” he groans. But doesn’t really hate his job. In fact, in his brief working life—eight of his twenty-three years—he’s never cared about and enjoyed a job the way he does this one. Alex Conrad is the flow-solder man. The entire computer factory runs through him: that huge over-lit workroom full of Latinas and Asian girls, stuffing circuit boards as fast as their nimble little fingers can move, racked, stacked and lined up for his flow-solder machine; all those techies and ties in the testing department waiting for the clean, solid boards that only he can send them—even Joe-boy and Eddie in chassis & harness go into a holding pattern when the flow solder machine goes down. No, he may not ever say it, and he resists the idea on principle, but in his heart, he loves his job. He just hates going to work on three hours sleep.

Alex hears Joe-boy in the kitchen turning up the volume on his daily frenzy. He’s usually the quintessential laid-back bass player—too cool to hiss more than two words unless he’s talking about music. But he hates to wait and he hates to be late. Since he’s the one with a car, Joe-boy has taken on the job of getting everyone to work on time. “I’m goin’ out to warm up the car.” His voice glissandos up in a reasoned threat that echoes down the empty hall outside the south bedrooms. “You guys better get out there.”

“Hey, man, I been up for an hour, so shut the fuck up!” Alex hears Dave blast in from their studio/garage.

“What?” Joe-boy says, “You been listening to the tapes?”

Silence. Dave is fucking with him. Alex forgets his aching head and perks up, eager to hear what Dave thinks of last night’s session.

“And?”

Dave lets him hang a moment more before exploding, “Pretty fuckin’ good, man!”

“Aw right!” says Joe-boy and Alex can hear them playing each other’s shoulders and skulls like timbales in their excitement. In the pause that follows, Alex’s eyes drift to a distant focus, and he wishes again as he does every day, as he knows Dave and Joe-boy are wishing, the same unsayable wish.

The urgency of the moment intrudes. “I gotta go warm up the car. You better get those guys up—if we don’t get some gas before work we’re screwed ‘cuz there’s not gonna be enough to get home.”

Dave pounds the walls in the hall, “Let’s go, Con-man!”

“Okay, I’m up, I’m up,” Alex croaks, pressing himself to his feet. A wave of nausea and dizziness staggers him. He leans on his knees a moment, then straightening up, he yawns and stretches to fight it off. Trying to rouse his still-sleeping mind, he surveys the trash and possessions that clutter the room: piles of clean and dirty clothes, beer bottles and candy wrappers, an alto recorder and some bongos, an eight-track car stereo complete with naked oval speakers, a jungle of African violets in the window on the chest of drawers he stole from his father’s sister, the mattress he stole from an aunt on his mother’s side.

Still wearing last night’s clothes, he thinks about changing, but hears the front door slam and let’s it go. I just got time to piss.

The pressure in his bladder is becoming painful. Bursting into the hall he hears the bathroom door slam. “Shit!”  Eddie always beats him to it. The other bathrooms are with the other bedrooms on the far side of the sprawling ranch-style house. So, hunched like Quasimodo clutching an early morning erection, he shuffles down the hall toward the backdoor slider in the kitchen. Pulling the slider off its track—again—he stumbles onto the barren concrete patio and scuttles to the edge of the overgrown backyard, wild with fennel and thistle.

Ripping down his button fly, he thrusts his hips and throws his upper body back, relaxing to the verge of falling over. As his erection subsides, the relieving flow begins and he drains himself into a star thistle. Pungent steam rises in the cool morning air, blending with the sweet scent of fennel.

He remembers this yard from years ago when it was a construction site. The house had been built and the quarter acre yard was graded and ready for topsoil and landscaping. That was as far as it got. Like the inside of the Marshalls’ house, it was never finished. But while the floors and the walls remained bare all these years as the Marshall family fell apart, the backyard grew up and filled out on its own terms, like the three Marshall girls, wild and thorny, fragrant, green.

The Volvo’s horn is blaring. He wags his dick and flips it loose into his jeans.

In the kitchen he splashes water on his face and swishes out his mouth. He tries to run fingers through his matted hair and pull it into some kind of order behind his ears and down his back. The horn sounds again and now Joe-boy is racing the engine. “This is getting serious man. I have got to brush this shit pretty soon.” His face still dripping, he checks his wallet, pulls a hair tie from his pocket, and scrambles to the door.

The old white Volvo station wagon is lurching and halting in the street like a dragster at the line. Alex is pulling his hair into a painful ponytail as he runs down the driveway. Music is pouring from the Volvo along with the morning smoke. The vocals are muffled but it’s a tune they cover. Alex knows the lyrics:

I’ll be the roundabout…

The words will make you out-and-out…

He’s never been sure what they mean, but he isn’t thinking about them now—he’s thinking about getting stoned.

Eddie is hanging out the backseat window in a cloud of smoke, bellowing, “You better run, man, ‘cuz he’s pissed. He’s taking off.” As the last one out, Alex knows they’ll make him go around and sit behind the driver’s seat. He also knows Joe-boy will gun it when he reaches for the door. He does. Peals of laughter pierce the music. The Volvo jolts to a stop a car-length ahead. On cue, Eddie kicks the door open, “Well… come on… get in,” they chorus.

Of course, Joe-boy isn’t pissed at all. He’s laughing, stoned and jammin’ with his air-bass to the tape. A glance at the Nokia glued to the dashboard shows that Joe-boy cracked the whip fifteen minutes early. If the gas line isn’t too bad, they may get to work with enough time for doughnuts in the parking lot. Air-bass solo concluded, Joe-boy pops the clutch.

“Here, Con-man, I think it’s dusted.” Eddie hands Alex a black plastic film can and a pipe made of brass fittings insulated at the elbow with wrappings of adhesive tape, blackened and shiny from wear. The familiar warmth and heaviness of the old pipe is reassuring as he weighs it in his palm. Con-man glances up at Eddie and Dave, checking his audience, and fills the pipe with loose flakes from the bottom of the can. Eddie notices Alex using only the shake and calls him on it. “Come on, man—whose money you tryin’ to save. Bust off a chunk and get some real smoke goin’!”        

The Con-man theory is that if you only use the shake and never break the buds you’ll never run out. “Don’t you want it to last?” he asks.

“Man, that only works with hash,” says Eddie

“Well, anyway,” Con-man says, holding the double-shrink-wrapped stem of the pipe in his teeth and grinning like a hirsute Douglas MacArthur, “It’s full, so fire me up!”

Alex is suddenly serious, even solemn, as the flame in Eddy’s hand descends upon the bowl of herb. He exhales through his nose and seals his lips around the stem, preparing for the blast of heat and pleasure—the first hit of the day.

When the coughing subsides and dope is again cushioning his brain, Alex rests his head against the window, gazing through the freeway cars and trucks on the 405 coming into Irvine, and thinks of Cindy. When he called her last night, he knew he’d be waking her in the middle of the night. At first, she sounded warm and soft, like she loved him and she missed him—like she’d been dreaming of him. Until she fully woke.“Are you at the house, Alex?” The question was an accusation.

“Where do you think I’d be at 2:30?”

“Well, who’s paying for this call? Are you using one of those phone card numbers?”

“No, baby, no. I can cover the phone bill.” He knew she’d assume he was lying, which he was.

“No you can’t—you guys never pay your fucking bills.” She paused to hear him lie again and, when he started to mumble, she reamed his ear. “Listen, Alex, the phone guys have already been here asking me about calls on stolen credit numbers. I mean, I can keep playing ‘em off, but if you’re not using a pay phone, they’re gonna know right where you are and we’re both gonna get popped.” She paused for a breath and he thought she might be softening, but she was gathering for her next barrage. “How can you be so dumb? They’re probably listening to us right now!”

“No they’re not. They got better things to do than stay up all night trying to catch some two-bit long-distance thieves. They published those numbers in the fucking Free Press for chrise sake. We don’t have to be that paranoid.”

“They were interested enough to come by and hassle me.” There was a breath or two of silence while the truth of what Cindy was saying settled in. “I don’t know Alex. This thing just isn’t working.”

He sighed. He didn’t know either. He searched for something else to say—to make “this thing” between them work like it always had before. “I was tired of talking to you from a phone booth, baby. I miss you, Cindy. I love you. I knew you’d be in bed. I want to be there with you. I wanted to hear your voice…”

“OK, OK, you heard my voice.” His long-distance pillow talk wasn’t having its usual effect. “What, did you think maybe I wasn’t alone?”  This was new territory. How did she know what he was thinking?

“No, that’s not it. I just…”

She cut him off, “Just quit using those numbers, Alex. I can’t take the stress.” And she hung up. Like a slap on his ear. She’d never done that before. He almost called her back, but instead he lay awake wondering if maybe she did have another guy up there in San Francisco. It would serve him right for not going with her.

At the time he didn’t think he had a choice.

                                    

 

The Marshall house had always been the cool place to hang out for the kids in the neighborhood because the parents were never home. Ellie Marshall, the Finnish ice queen, was out seven days a week in her Caddie with a fifth of Cutty in the trunk, buying and selling Orange County by the standard lot. She was never home before 2:00 AM and was gone again by 8:00 the next morning. She’d worked her way up from subdivisions to malls and hotels by the time she quit coming home all together. Bob Marshall, Mad Man Marsh, was an aerospace engineer and a right-wing hard-ass to be avoided if possible. That became easier and easier as “overtime” evolved into living on his boat with his girlfriend.

The band had been moving in on the Marshall house like squatters for years. By the time Cindy went to college they were the only ones living there. Alex had to stay with the band when Cindy left because it was his band—he was the front man, the singer, the songwriter—but also it was part of the deal Cindy cut with her mother to get Cindy to college and away from the band.

Every guy in the band had gone out with at least one of the Marshall girls. Alex had started with freshman fantasies of the oldest one, Margaret, but she turned out to be a chip off the old ice queen. Amy, the middle sister, was Alex’s age. She hung around with the band for more than a year before she got around to Con-man. Alex didn’t like the fact that he was the last one she tried, but he didn’t mind at all when she finally led him back to her room. By then, though, he was only going through the motions. He’d already caught Cindy’s eye.

Even when she was a freshman and Alex was a senior with a pick-up truck and a rock-n-roll band, Cindy had seemed like too much for him. She was big and loud and took no shit. She didn’t hang around with her sisters or with the band. In fact, nobody seemed to know where she was most of the time. “Out with her biker friends,” was all her sisters knew. Alex worried about her.

Then, one afternoon Alex saw her climb off the back of a Harley in front of the house. Purple hip-huggers tucked into knee-high boots, braless in a gauzy halter, a wild blond halo of wind-blown hair—she was magnificent. The guy on the bike was about the most dangerous looking freak Alex had ever seen, but she was laughing and punching his arm. And when she kissed him on the cheek and shouted, “See he later man,” he seemed to shrink. She was totally in charge. She was like no girl Alex had ever seen—or even known about. He didn’t worry about her after that. He just wanted her to notice him.

It was Joe-boy who brought her to the band. They were at school together after Alex graduated. Once Joe-boy and Cindy became a couple, the band started practicing in the Marshall’s garage. When Cindy chose Alex over Joe-boy a few months later, there was nothing either life-long friend could do about it.

Joe-boy spent some time sulking and jealous but the band was bigger than any of that. They were turning the garage into a studio. It was important to keep Cindy happy. Her mother was a little harder to please. But Ellie and Marsh had been too absorbed with the real estate market and their divorce to see that the band was taking over their house. By the time they did, it was yet another piece of property in a very complicated divorce. Margaret and Amy were out of the house, and Cindy was a high school senior riding the crest of a teenage dream—on her own, in her own house, with her own live-in rock-n-roll band.

As her part of the divorce process Ellie made one last show of maternal interest. She wanted Cindy away from the evil influence of “all those hippie boys.” She threatened them with the police, but Cindy told her mother, “If the band goes, I go with them.” So, Ellie tried bribery and Cindy made a deal with her. She would quit living with the band if her mother would put her up in an apartment in San Francisco and pay her way through college. The band would stay and “house sit” since there was no way they could sell or rent the unfinished luxury slum the place had become. The Ice Queen probably figured she could sell it out from under them after the divorce settled. Cindy knew the band was relocating to the Bay Area eventually anyway.

Eventually can seem like a long time. Everyone was happy but the Con-man.

                                    

 

Lady finger, dipped it moonlight,

Writing ”What For?” across the morning sky…

Cindy’s song. Alex doesn’t remember hearing it begin. He doesn’t know where they are. Thinking of Cindy, his feelings had faded to depression and self-loathing. She’s definitely got a boyfriend. They are almost out of gas, but the line was too long. Alex takes no part in plans to siphon gas out of swing-shift cars after work.

The car is booming with the epileptic boogie of The Grateful Dead’s The Eleven when Alex rises to the surface and begins to hear the music again. Joe-boy is steering into the parking lot of Computer Automation, Inc.

“That’s what I like about Pete—he’s the first drummer we’ve had that can do 5’s and 7’s smooth. He knows where the one is without poundin’ on it.” Dave is obsessing again about the new direction—the new wave of progressive jazz/rock fusion they all hope to ride to fame and fortune.

“Yeah, well, sometimes I wish he would pound it a little more so I’d know where it was,” says Eddie.

“You don’t gotta hit the top of the measure when you’re playin’ sax,” says Joe-boy. “You just follow me and Pete.” He pauses for the music. “Listen how Lesh brings these guys back to the four beat.”

Talk is suspended as they listen for the eleven-beat jam to change back to 4/4.

“I tell you what, man,” says Joe-boy in hushed reverence, “that’s about the greatest moment in rock-n-roll so far.” Just as Eddie and Dave begin to loll with the music and the dope, Joe-boy punches out the cassette and yanks open the door, “I gotta go to the lumber truck and get some dough. I haven’t had anything to eat since that pizza last night.” There’s general agreement and everyone but Alex flops out of the Volvo. In the silence of the empty car the next two lines of the song ring in his mind’s ear:

Without a warning, you broke my heart.

Taken it baby, torn it apart

Lyrics Con-man and Pigpen can both understand. He rolls out of the backseat, and walks toward the opening in the side of the huge concrete box that is the computer factory.

“What’s the matter with you, Alex?” says Dave as they reaches the entrance ahead of the others. Dave has known Alex since long before he became the Con-man. He’s the only person besides Cindy and his mother who still calls him Alex.

“I don’t know, man, I can’t take this grind anymore.”

“You mean work?”

“Yeah, I guess.”

“This is the best work we ever had, Alex. We’re all at the same place, on the same shift, making some money, we’re practicing more than ever and sounding good—hey, we got it made here.”

“Yeah, right, you guys hardly need a singer anymore—pretty soon there’s gonna be no vocals at all.” Alex is surprised at the sound of his own self-pity.

“Look, Alex,” says Dave, softening his approach. “We’re not ready to go to San Francisco yet. And I’m not ready to give up on L.A., either. Cindy’s not going anywhere.” He moves in closer to Alex’s down-turned face, trying to make some eye contact. “And even if she was, you know what the guys’d say—you can’t break up the band for pussy.” He follows up quickly to reassure his friend. “That’s not how I’d put it, but that’s how it gets said.”

Alex is laughing and mad at the same time, “Oh, yeah, right,” punching Dave’s arm, relieving tension, “Yeah that’s all Cindy is, motherfucker, nothin’ but pussy, sure.”

“Nah…but you know what I mean,” says Dave, giving in but holding out.

“Yeah, well, you know, man, I’ll never run out on you guys. Even if you are assholes sometimes.” A snorting laugh, bumping shoulder to shoulder, and they are close to hugging when Joe-boy and Eddie walk up laden with coffee and doughnuts from The Orange County Lumber Truck. They hop apart, casually, and join the listless stream of workers filing in to begin another day of work.

“It’s the happy hipsters! The hippie hapsters! Whad-id-is, bruthahs? Whad-id-is?” As soon as they hit the cool, dry air of the plant, Marvin Lewis, the floor manager is coming at them like a smiling predator.

Eddie addresses him with bored sarcasm, “Yeah, what is it, Marvin?” Marvin seems to go easier on them when Eddie does the talking—he respects the Latino sax-player.

Marvin actually likes all his hippie bruthahs. He considers hippies to be part of The Movement. You’re the only gray-boys who have the slightest understanding of what we have to go through. Marvin is the only black man in management at Computer Automation, and they admire him. They look to him for culture clues and approval, but his bait and cut style leaves the happy hipsters feeling manipulated. He chums the water, then reels them in without a fight, since their freedom to rip back on him is restricted by the fact that he is, in effect, their boss.

“Well, well, well,” he sings, “you got the dough… you got the jo… you boys look like you’re all ready to go.” Marvin is a real performer—a carefully constructed parody of what he thinks white people expect a hip urban black man to be like. He’s got his captive audience laughing so hard they’re spilling their coffee. Now he’s completely got the drop on them from a management point of view. He singles out Dave first. “Well, Mr. D. you can start by goin’ in there and talkin’ to Freeman in sales. He wants last week’s data and I think he’s got some new tests he wants you to run.” A change in Marvin’s face tells them their work day has begun. Dave walks away without a word.

Marvin steps deftly between Joe-boy and Eddie. Putting his arms around their shoulders, he speaks to them conspiratorially. “Foreman says you guys are gonna have a couple-a light days—you must-a been kickin’ some butt last week—so later on I’m gonna pull you off the line for a little while—there’s some stuff in shipping I need you to do.”  He propels them gently by the backs of their necks toward the chassis and harness department, his voice rising, “I’ll see-y’all at break about it.” Eddie and Joe-boy slump away shaking their heads. Marvin turns around to Alex, leaning against a chain-link divider—already exhausted at the thought of the next eight hours. “Come on, Con-man, let’s go see how it’s flowin.”

They walk on shiny industrial concrete down the wide center aisle of the plant.

Alex has heard about “The Plant” since before he can remember. This same sort of floor—the glacier polish of a million tons of forklifts and work shoes—is his earliest memory of visits to the factory where his parents worked. As a kid, the cold concrete, the size, the noise, and the seeming importance of the work, had impressed him with a sense of awe, like the feeling he had in church. But with three shifts going day and night and his parents working 48-hour weeks, the plant was more present in his life than any religion.

Computer Automation is building the new generation of mass-produced “Naked Mini” units destined to be plugged into the new BART train system in San Francisco. It’s smaller and quieter than the massive paper processing factory where his parents worked, but Alex still feels the reverence—something deep in his throat between a heart-throb and a yawn—when he sees the concrete and feels it pound his heels. The ominous scent of ozone has replaced the forklift exhaust, and rather than the metallic din of heavy industry, a murmur of voices rises above an electronic buzz. But the same impression of urgency and importance is here each morning as he walks to his machine.

On their left are the blue-collar benches of the chassis & harness line—rows of work benches cluttered with tools and hollow brown husks of sheet metal—the exoskeletons of pre-natal computers. Silent men on stools with nut drivers and solder guns hunch like industrial monks over the precise routines of their work, ignoring the threat of the overburdened shelves above, that groan with future tasks: multicolored bouquets of wire, tubes and sockets, metal flats, and hardware—the parts and pieces of their jobs.

To their right is the white-collar world of the testing department. To secure against theft, testing is enclosed by a six-foot chain-link fence that gives it the look of a refugee camp. Seen through the fence and dressed alike, the techies lose their personalities. The moving light from the diodes and screens reflecting on their white shirts and eyeglasses is more distinct than their faces. Their hushed voices blend with the hum of hundreds of tiny fans.

Alex and Marvin walk on toward the flow solder machine, smoking and groaning at the end of the aisle. Beside it, a huge square opens in the high concrete wall where the stuffing room seems to have been added on. The cold blue light of the room is bright yet diffuse, allowing no shadows and flattening its features so that it appears as an unreal glow, like a movie projected on the wall, that darkens the rest of the plant by contrast. Though the overall impression is of frenzied activity, no one in particular seems to be moving. There is the musical tinkle of female conversation, but the work is fast and close and no heads turn as they chat among themselves. The tableau of stuffer girls vibrates with the work of their hands and their eyes at a frequency that generates rack upon rack of printed circuit boards, crowded with components and ready for tinning.

“The girls are lookin’ good this morning. Had most of a full crew here two hours ago, so they’re about three racks ahead of you.” Marvin is giving Alex the run-down. The flow solder machine is really Marvin’s baby. He takes it apart and puts it back together every few weeks. But it was his skill with the stuffing department that got him promoted off the machine to floor manager. Somehow the ladies don’t mind being told about their mistakes the way Marvin tells them.

“Put any fresh bars in yet?” Alex asks, starting to let the job take over.

“Oh, yeah. Check it out. It’s topped off and smooth.” Standing next to the machine now, they gaze in silent fascination down into the caldron of roiling liquid metal. Alex and Marvin share a moment of admiration for the simple power of this machine. But Marvin is soon back to business. “You’re gonna have to adjust the fountain your self—I’m can’t do everything for you.”

“I know, man. I can handle it.”

“Yeah, well I wish you guys were doin’ bennies in the mornin’ instead of smokin’ weed.”  He’s jabbing, but Marvin is cool. He’s partied with the band before, but prefers benzedrine.

“Man, Marvin, you know we just take like one hit to get right, so go jack up your stuffers, ‘cuz I’m gonna be caught up with your girls by break.” He will be caught up by break if the de-ionized water holds out. He shouts to Marvin before he disappears into the stuffing room, “How much DI we got?” 

“The Culligan man’s got you covered, Con-man—all you need for days.” De-ionized water is needed for the board washer. Not only flux and oil must be scrubbed from the boards before they go to testing, excess electrons have to be removed as well. Only de-ionized water can do the job.

Like cooling trays of doughnut at a shop, racks of boards wait for the under-glaze of solder. Alex selects a board at random from the nearest rack. If he’s careful he will only ruin a couple of boards leveling the flow. If he’s lucky—and good—it’ll only take one.

The excitement he feels as he starts the work is the same that he feels before he performs with the band. He breathes deeper and faster, his heart pounds, but he’s focused and steady, anxious to put his rising energy to work.

The flow solder machine is shaped like a huge, doorless refrigerator on its back. The solder fountain at the center is formed by a rectangular collar of sheet metal that extends from below the surface of the pool of melted solder to a few inches above it. The operator controls pumps that force the molten metal up through the collar. The solder surges from below, bulging over the top of the constricting frame, but the heavy liquid resists the upward push and pours over the edges, back down into the surrounding caldron. When the pumps are adjusted, the solder welling up through the collar forms a smooth crest like a hot moving mirror over which the boards are drawn by conveyor chains that run the length of the machine. When the fountain is level only the undersides of the boards touch the ridge of sticking liquid, fusing the board’s connectors with the wire legs of the components.

A thin layer of motor oil smokes on the undulating surface of the melt, tinting brown the silvery sheen. Flamelessly burning away, it must be replenished hourly to prevent a layer of sludge from forming on the molten mass. A hood and fan cover the machine like a floating gazebo, but Alex still hacks up a brown remnant of the smoke each day after work. Though he knows it’s poison, he secretly likes the smell of the scorched oil.

He concentrates on the test board. Leveling the top of the fountain sets up his whole day. Too low and some components will remain loose and be lost in the washer—too high and the solder will flood the top of the board and all the components will be ruined.  Once the fountain is level it will only need periodic adjustment when new bars of solder are added. Most of his day will be spent mounting boards on the conveyor chain, watching them slip through the bubbling fountain of pink flux and hit the solder, then moving the warm, solid boards to the washer, and stacking them to dry for testing—fast, rhythmic work that allows him time to think.

But now his goggles are on and Alex’s mind is engaged with the machine. His hands are on the pump controls, crouching slightly, eyes level with the top of the fountain, as the first board moves across the foaming roil of flux and approaches the wave of solder. He starts the solder lower than it needs to be and raises it gradually, his hands moving among three large knobs at his waist. Leaning into the warm weight of the machine with his face as close as possible to the stinging heat, he grins at the sizzle of the flux, like water on a hot skillet, as the leading edge of the board touches the solder.

He’s there. The center pump is perfect. Luck is with him. The slightest torque on the outside pumps and the top of the fountain is a smooth, straight edge of silver. One board is all it will take today.

When the next board comes through perfect, he starts his run—going into a kind of frenzied trance. In his two years of factory work, Alex has discovered a mental zone that keeps the work and the clock moving quickly without noticing the effort. This leaves him long stretches of uninterrupted thought. He’s written some of his best songs during these times. But today he’s worrying about Cindy and the boyfriend he’s sure she’s got, and the phone police and the bills. Even so, his work trance is so effective he’s turning out solid boards faster than they can be stuffed. He’s ahead of the stuffers ten minutes before the break.

The deionized water is in a pressurized tank on the other side of the wall. The washer whines, and he knows it’s time to open the input valve and refill the reservoir.

When everyone else heads to the Lumber Truck for coffee and sugar at break, Alex runs straight to the phone by the john. He can’t go the whole day with Cindy’s disapproval in his ear.

This time he calls collect, but it’s busy. Still busy. And busy, again. Sounds like the same operator every time. He feels like an idiot. Who the fuck could she be talking to at nine-thirty on a Monday morning? He realizes that he knows nothing about her life in San Francisco. Why would she think about him anymore?

On the fifth try it rings. She sounds reluctant to accept charges from Alex Conrad.

“Cindy?  How are ya, baby?” Afraid of silence, he goes on. “Don’t be mad about the phone thing, Cin, I won’t use it anymore and they won’t bust us for that one call.” The silence he dreads is aching. “Cindy?”

“OK, Alex, I’m not mad. But I gotta go.”

“I love you, Cindy,” sounding like a question.

“I love you, too, Alex, but we gotta talk and I don’t have time right now. I’d call you tonight, but you guys never hear the phone when you’re practicing.”

We gotta talk? The ominous words.

“Whadaya mean we gotta talk? We talk all the time.”

“Oh, Alex… What?” She’s talking to someone else, the mouthpiece muffled.

“Look, Alex, I really gotta go.”

“Who’s that with you?”

“It’s my ride and he’s gonna leave without me if I don’t get off, so…”

He! 

Panic. Fear. Nausea. “Who’s your ride? What’s his name?” He tries to sound casual, but emotion thickens his voice.

“Jeff, Alex. His name is Jeff and I gotta go. I’ll try to catch you around five—so be there, OK?  I gotta go now.”

“Cindy?” Nothing. Hung up on twice in twenty-four hours.

He steals an extra ten minutes of break hiding in the corner stall of the john, waiting for tears that do not come.

Alex knows that something is wrong as soon as he comes onto the floor. Everyone from chassis is over by the solder machine. They’re mopping. Marvin is conferring with a group of ties. Though silhouetted by the glow from the stuffing room, he can tell they are all looking at him as he appears at the end of the main aisle, which runs like a creek with hundreds of dollars of deionized water that spilled from the washer after he ran to the phone. Much worse than the cost of the water, it’s also a full day of down time.

He leans against the chain-link, dazed. He hears his own moaning lament, “Oh fuck… oh, shit… oh, fuck… oh, shit…”

On Marvin’s signal, Eddie tiptoes through the water to where Alex stands immobilized. “You fucked up, man, but I don’t think they’re gonna fire you. He wants you to go to his office so he can yell at you in private.”

“He doesn’t want me to help clean up?”

Eddie shakes his head half smiling, “Nah, man, he doesn’t want you anywhere near that machine anymore. He’s takin’ it kinda personal. Says he’s gonna train me on it and put you back in chassis.”

                                    

           

Joe-boy’s car is rigged with a hidden button to start without a key.

Alex did not want to see their faces. Marvin. The guys. Everybody. Looking at him.

He hadn’t thought about what he was doing or where he was going. He had to get away and the Volvo was where he went. After a couple of consoling hits, it seemed to make sense to reach under the dash board, start the car and drive in the general direction of home.

He remembers the gas when the Volvo dies on the 405.

The place he leaves the car on the freeway is close enough to the Marshall house for him to walk. Pocketing the pipe and cleaning the dope out of the car as best he can, he hops a fence into the neighborhood.

Angry curses spitting from his mouth keep his other feelings from surfacing, but he thinks of the phone cops and the weed he’s carrying, and paranoia breaks through. The contraband in his pocket becomes a lump of evil obvious to anyone who might see him. Suddenly everyone in this neighborhood of stay-home moms is looking at the freak with all the hair. He has to get off the street. Cutting through a neighbor’s back yard, he comes down to the Marshall house from behind.

The fennel is warm and oily in the late morning sun. The pleasure of its aroma lifts his head as he slides down the slope at the back of the lot. The fragrant shade at the bottom is familiar. Along its edge, winter runoff from the hill has left a swath of soft, sandy soil where Cindy had planted a patch of lawn, a private place between the fennel and the hill. He can feel her here, and smell her. This is where they first made love. Falling down upon it now, he grasps in desperation to hold it still—to keep the moving earth from turning. The unwatered blades tear from the ground and scatter like chaff in the warm breeze.

We don’t need no piece of paper from the city hall

Keepin’ us tied and true, no…

He feels the tears escape his eyes. They fall into the dying grass, unseen.

Thumbing through Los Angeles takes the rest of the day, working his way north. By midnight he is sleeping in the sand at Zuma Beach.

                                                

 

A Sentence

 

No, Madeleine’s silk underwear did not mean she was saying yes, or even wanting to be asked. Silk like cool water warming in my palm, slipping through my fingers, alive with fluid movement; a perfect pairing with the beauty it enclosed. It made no other statement than itself and held no meaning not taken on like body heat from Madeleine. No Andalusian rose to draw me down, her silken works of art were for herself.

                                   

A few years before I met Madeleine, I was an organizer for a democratic socialist fringe group. I’d been a straight-up Trotskyite during the Nixon years. Back then, dialectical materialism ordered my reality. Bourgeois relationships and sentimental attachments were decadent and reactionary. But my stridency faded with my liability for the draft, and when the Democrats got the White House in ‘76 it seemed to make more sense to go with electoral politics. I caught on with a economic democracy group led by a famous radical pol and his movie star wife. A lot more fun than being in the Spartacus League.

At the beginning of a major voter registration drive in Orange County, they threw a party for the workers. There were twenty or thirty of us at a mansion in Hacienda Heights. After a couple of drinks my fellow canvassers and I admitted to hoping the movie star would put in an appearance. As soon as Mr. Counterculture Hero arrived, his people cut the music and herded us into the biggest dining room I’d ever seen to hear him speak. In a pool of light at the end of a long, dark table, he extended his arms, palms down, and leaned forward, his receding chin almost touching the polished mahogany. He looked around at the expectant faces as if about to divulge a solemn secret, making eye contact with each one of us. He seemed to be making sure we understood that he was serious.

He began barely above a whisper. “The work you are doing is very important,” he said. “But I know most of you are here for another reason. And I want you to know that it’s okay.” A shuffle rippled through the room. The closing circle of faces angled forward. Did he really know what we were here for?

“I know that most of you are here to find someone and get laid.” Everyone in the room seemed to hiccough at the same time. A jolt of shock flashed all around and a few chuckles began, but his unmoved face silenced us as he continued. “As long as getting the job done is at least your number two concern, we’ll do just fine.”

So, the night I met Madeleine, the volunteer work at KPFA was priority number two.

                                   

We were on the phones, drumming up money from subscribers before the semi-annual pledge drive. We sat at adjoining desks for a couple of hours, giving the same scripted spiel over and over. I worked the list down from Abbot while she came up from Zymechus.

I’d tried to catch her eye when we were introduced, but she showed no interest. While we worked, she paid no attention to me. That gave me a chance to gaze without the usual pseudo-casual eye-darting men do when they are checking out a woman they suspect wouldn’t appreciate it.

I figured her to be about ten years older than me—pushing hard on forty. Her face was plain and strong, round and scrubbed a glowing pink. Cropped, shiny black hair curled in toward round, dark eyes, giving her the old-timey look of a flapper. Her face seemed sad, but settled and knowing; accepting, though with a reserve of hope so deep and quiet that it must have had its roots in faith. I didn’t know the meaning of any of this about Madeleine when I first saw it in her eyes. Much about Madeleine I only understood years later.

She continued avoiding my lingering invitation to interact, so my attention drifted back to the series of short, almost identical phone calls that were supposed to be the reason we were there. At one point I realized we were making a pitch in unison, both pausing the same few seconds for a response. ”Uh-huh,” we said together. Madeleine looked up at me and smiled. In the next moment, we were quoting the same catch line from the list of prompts, in sync and with the same inflection. “Any additional amount will help.” All too much, we started to laugh. Our hand sets hit the cradles together and she turned toward me for the first time. “One of us better change the tape,” she said, “or we’ll both be wasting our time.” Her voice sang high and warm like a kiss on the forehead.

The evening took off from there. As each of my calls ended, I would cheer her on with a smile and a nod. She began to do the same.

I hadn’t shared a bed with anyone for more than one night in over a year. My libido had subsisted on the five sisters of my right hand for the last three months. That in itself sharpened my interest in Madeleine, but she was also just my type.

She seemed like a woman who would be flattered by careful romantic attention. A little heavy by the ridiculous standards of the day, she seemed at home with her body. Bralessness was a Berkeley standard of the decade, and she seemed comfortable with it, but I assumed that, like most women, Madeleine was not satisfied with the way she looked. To me, though, she looked beautiful; big-boned, soft-fleshed, the roundness of her upper arms plumping out from the constriction of short sleeves. Her girlish breasts rounded the fabric above the high waist of the floral cotton dress that spread to her knees around generous, patient hips. She wore no wedding ring. I pegged her as an old-school feminist, ideologically suspicious of marriage, but with a commitment to being single that secretly stemmed from believing she would never find an acceptable partner.

I had dated younger versions of Madeleine before. They were so much easier to take than many of the so-called beautiful women I’d known, playing hard-to-get and militant with their boots and lipstick-butch attitudes, all the while looking for a macho stud with the right philosophical rap and a source of money.

For all their feminist rhetoric, the Movement people I knew—both women and men—still clung to a hierarchy based on beauty. I don’t know what combination of radical-chic, pop-commercial, Euro-art culture informed the aesthetic, but those who adhered to it, enforced it. A straight woman who stuck to her guns on sexual politics could end up middle-aged, single, and celibate not by choice.

I sought out women like that—like Madeleine, as I’d hoped for her to be. I was their male reflection—the unacceptable partner. I wasn’t able—and so pretended I didn’t choose—to make the grade in the competition for women: money, handsome face, toned body, self-assured and capable, yet sensitive and caring (don’t forget sensitive and caring). An average guy with sub-par looks at best, not good enough to be wanted by so-called attractive women at all—not by any woman for long—I had developed a calculating sexual desperation.

Bitter? Oh yeah. Cynical? You bet.

                                   

“Where do you work?” Madeleine asked.

We’d been walking around downtown Berkeley for an hour swapping rumors and gossip about station politics. Now we were eating falafels in a tiny shop on Telegraph Avenue.

“County Social Welfare. Adoption case worker.” The jargon drum-rolled from my mouth. It cannot be overstated what a great come-on line that was for me among women in political groups—even before it was true.

“Oh, really? MSW?”

“No, not yet. Still an intern.” I tried not to sound as deflated as I felt admitting that.

Strolling side by side, talking about other people, we’d kept a certain distance. Her eyes met mine at the right moments in the conversation, but were evasive. Now, as we spoke about ourselves across the table, she faced me with a steady, assessing gaze that challenged me with its honesty.

“So, where do you work?” I asked.

“At home,” she said.

“Okay… so… do you mean you’re a housewife?” I said to tease her.

This seemed so funny to her she belly-laughed. “No,” she said a breath or two later. The high, sweet clarity of her voice touched me again in a way I did not understand. “No way. Never been married.” She smiled at the pita bread she held in her hands as if it were an amusing book. She seemed to be waiting for me to ask the right question.

“OK, so what do you do… at home?”

“I sew.” Her pursed lips hinted at a smile like a secret, holding back a punch line.

“Oh, you’ve got a little sweatshop going.” I glanced about in mock suspicion and whispered, “INS trouble?”

“No, it’s just me. Solemente.”

I questioned with a knit brow.

“Actually, I make my own designs and sell them.”

“Wow.” I said, impressed. But by the way she sucked in a breath in around her teeth I knew there was something more. “But what kind of stuff do you do that you can make a living at it?”

“I work with silk.”

“Silk?”

“Yes, it brings a good price because, well, it’s silk—it’s hard to work with, you know—you need special machines and most people don’t know how to do it right.” Her smile widened, she took in a big breath and let go a rapid stream of words that seemed to have been pent-up. “I’ve gotten really good. I started out doing a lot of resewing for people, salvaging imports that were coming apart, but now I do my own designs, and put them together myself better than any of the commercial clothes mills, and they sell faster than I can make them—I’ve got orders months ahead, but I’m not going to sacrifice quality, or my independence for volume and more money. I don’t want to be an employer, and that keeps my prices low for the quality of the work.” She settling back in her seat, arms crossed, with a self-satisfied smile and a bit of a blush. This display of ego warmed me.

“That dress is cotton, though, right? Do you make, like, super fancy stuff that you’d never wear yourself?”

“No, well, yes, it is pretty fancy, I am wearing one of my pieces, but, you know, it’s all lingerie and underwear.” Her cheeks darkened a shade.

In the span of a breath I read her blush and knew that Madeleine wasn’t thinking of me as a colleague or a client—with whom I know she could have talked underwear without a blush for hours. “Oh. Yeah. Very cool,” I crooned.

We talked of other things for a while, pretending I wasn’t interested in Madeleine’s underwear and that she hadn’t been blushing. As we talked our eyes stopped playing contact tag and we shared a moment when our eyes met and we held them in silence for seconds that seemed like minutes. We were both startled by this and began to eat in earnest, our foreheads nearly touching as we leaned over paper plates on the tiny table between us to bite our dripping falafels.

She trusted me enough to let me walk her home. Enough to invite me in. I drew her trust along by seeing her only to the front door of the subdivided Victorian where she lived. I suggested a time and place for us to meet the next day. She trusted me enough to agree.

                                   

When we got to her flat the next night, the first thing she wanted me to see was her work.

“This is my little sweatshop,” she said, switching on a blare of work lights as I emerged from the top of the pull-down attic stairs. With a stoic crew of dress dummies and mannequins crowding around long, wide work tables piled with shining fabric, it had the appearance of a busy workshop in still-life. Only Madeleine animated this world.

She must have been used to people being dumb-struck when first seeing her attic. My mouth formed a continuous “Wow” as she intoned in a tour-guide voice the name of each strange-looking sewing machine and pointed out the finished products that adorned the mannequins: bras and panties, sleepwear, camisoles and tap pants—from the lightest pinks to the deepest purples and black. I had never imagined silk could have so many facets, like jewels.

“In the last couple of years I’ve gotten ahead enough to invest in top-of-the-line equipment and material. Now I can pretty much make anything I can design—and fast enough to make it worth the effort.” She stood before me, awaiting my reaction.

The musky scent of the silk, the intimacy of the narrow space in the dormer attic, Madeleine’s searching face, the suggestion of the silken shapes, my loneliness—all combined to induce an unexpected arousal.

“Madeleine, Madeleine, this is so…cool,” I whispered, returning her searching look.

It may have been my expression, something in my voice, or she may have noticed the erection distorting my jeans, but she ended the tour without another word. I never entered her attic again.

                                   

Over the next few weeks we spent many evenings together in her living room. The “parlor,” as she liked to call it was a curated mix of craftsman antiques and polished redwood burl. The cozy comfort of the quilt-and-pillow nest on the window seat, a velour-covered couch, and an overstuffed chair—each in its own sphere of warm lamplight—surrounded a black and gold Persian rug at the center. The shelves that hid the lath-and-plaster walls were hidden themselves by blooms of books, their spines obscured in turn by framed family black-and-whites.

We listened to old Bob Dylan records over and over—Freewheelin’, Highway 61, Blonde on Blonde—I Shall Be Released, Sweet Jane, Positively 4th Street—songs, we discovered, that had filled both of our lives. Neither of us much liked the newer stuff.

We talked politics and told our stories.

My story was of drug-induced road trips and street life. Our hero survives the post-Viet Nam collapse of phony hippie idealism and emerges as a neo-progressive, pragmatic feminist, ready to fight the good fight but no longer willing to die on the barricades. Her empathy and interest in my shaggy-dog saga heightened my interest in her.

She reeled out an epic of her father fighting in Spain with the Lincoln Brigade, of being raised in a community of card-carrying communists, of the political and personal rebuilding required of them as they came to grips with the reality of Stalinism. She told me about Berkeley during the Free Speech Movement, about trips to the south with SNCC, and of starting a commune in Sonoma, of farming and textile art. I was enthralled.

I did not speak of my calcifying cynicism, my bitterness, and the emotional dishonesty that led to my loneliness.

She did not tell the more personal stories that I imagined had led to her solitary life—of struggling with the male domination of the movement, of fights with former lovers, or of breakups.

Every evening, after the Dylan and storytelling, we sat on the couch and listened to KJAZ, getting closer in the quiet of the music.

There are times when everything happens with the first touch—when both people know from the start that the preliminaries are just building up the potential they know will explode on contact—when the car, the hall, or the kitchen floor will become the scene of urgent consummation. But I could tell that Madeleine needed me to court her.

We went from listening to snuggling within a few nights, but we never moved on to kissing. I saw in her face a reflection of the anxiety I felt. Who would take the lead? Would our intensity match, or would one of us feel embarrassed, disappointed, and guilty, the other distant, stingy, and guilty? We avoided the problem without words by giving each other massages. Using back rubs and foot massages, we danced around the edges of sex. We became intimate without a commitment beyond the massage itself, keeping an emotional distance. Both of us were excited, but neither wanted it to be obvious; I cultivated her trust, while she took care of herself by testing me.

We avoided conversation while we touched, using only our hands, moving wider and deeper, releasing the will of the muscles, the tension of fear. But each night around midnight, as we made plans for the next day and said our reserved good-byes, our faces were nearer, our pauses longer.

                                   

As Madeleine became more trusting, we shed more of our clothes for our massage sessions. Within a week we were down to our underwear. I stripped to my boxers at Madeleine’s first indication, but accepted a slower process for her—the slipping down of a cotton shoulder here, the drawing up of a silk hem there, some unbuttoning and unzipping now and then—every step taken with silent request and approval. Beneath Madeleine’s simple dresses were the camisoles and tap pants I had seen in the attic. No mannequin wore them now, and the liquid silk, black one night, red the next, tickled my eyes and the backs my hands, my palms and finger tips absorbing her warmth, and more than once by body conspired to give away the excitement I tried to conceal.

My willingness and ability to be so patient confused me. In the midst of client home visits and intake interviews I found myself yearning for our time together, planning on it as with a lover. But what was going on? We weren’t even sleeping together, and I began to think we probably never would. I had never spent this much time with a woman I desired without a sexual payoff. That’s what I had been thinking of with Madeleine at first, but my feelings changed. I found myself thinking that if we started having sex, she would soon become wise to me and discover that sex was all I wanted in the first place—all I ever aspired to in a relationship—that the rest was just a ruse.

This way of thinking about women had never troubled me before. Just trying to get laid, after all, I played the game in an ethical way, to my mind. But something about the way I felt when we were together made me want things to be different this time. So, I didn’t press the issue as I always had in the past. I’d been pressing the issue since the age of fifteen. I just thought that’s just the way men are, right? Advise and hope for consent. But now I thought somehow things could be different. Maybe Madeleine and I would work out in a way I had always thought could never be.

                                   

Early one evening Madeleine startled me at the end of the massage. Just as she seemed to be drifting into sleep, her eyes slashed and she flipped herself over on her back, nearly toppling me into the antique tea table.

“I want us to read together.” Propped on an elbow, she craned her neck to face me, eyebrows arched as with a brilliant idea.

I narrowed my eyes and tucked my chin in a question-face. Through the music and backstory chats we’d had only the What-are-you-reading, What-are-you-reading exchange—nothing more about literature. She’d mentioned a few titles and authors I’d heard of—Woolf, Lessing, Joyce—but “Hadn’t had a chance to read, yet.” I offered 1984, Lord of the Flies, and Brave New World—all I could remember from what I’d skimmed in English classes—finally asserting the practical rationalization that being a full-time student with a full-time job, I only had time for non-fiction. We hadn’t had a book-talk until that night.

Before I could respond to her declaration, she eased back and rolled her face to the side, in the direction of one of her bookshelves. “Well, you don’t have to read,” she said, then locked her eyes on me again. “But I think I want to read to you.”

She lay between my legs in a maroon camisole, eyes darting from one bookshelf to the other, browsing titles. Taking in her elegant beauty and feeling the sexual nature of our position, I lost the thread of what was being said and felt blood flow to my penis as I’d tried not to allow since our moment in the attic. Feeling it move like an independent entity and find the hem of my boxers, my voice thickened. “I’m reading you right now. Am I reading you correctly?”

Certain to have felt me, but without looking down she said, “No, we’re not ready yet,” and elbow-crab-walked out from between my legs.

                                   

The next night, the Sunday before a staff retreat in Monterey, was the last of our ease and comfort together.

She massaged me first, as I lay stretched out on the parlor rug. A blissful half-hour later, Madeleine warm with exertion, I began on her. A sheen of sweat dampened the wisps of hair on the nape of her neck and moistened my hands as I worked her back beneath her camisole. She relaxed just short of sleep.

When I moved down and began firm, kneading strokes up her thighs, she seemed to enliven, moving her legs to the rhythm of my hands. Her eyes closed as usual, cheek against the back of her hand, she raised her hips in a way she’d never had before. Her lips glistened with saliva and her nostrils widened, taking in long, slow breaths, releasing sighs like whispered wind. The sweetness of her breath reached my face, mint tea mingling with warm-body odors that enveloped us both.

Angling her hips still higher, she seemed to draw my hand toward the space between the purple silk and the ivory-pink of her skin. I became aware of the scent of her sex. I held my breath and entered. Eyes closed, the memory in my fingertips I found the edges of her vulva and the pulpit of her clitoris. With her wordless guidance I followed the motion of her body in an easy, quickening rhythm until she came with rain and tremors in my hand. Elated, I finished the massage by stroking her with the tips of my fingernails from head to foot while she drifted in and out of sleep.

At the door before I left, we kissed for the first time—a lingering kiss, parting lips, an exploration without intrusion or urgency. We spoke of where and when we would meet when I returned from Monterey on Friday, then we held each other quietly for a few last moments.

At the retreat I met Julie, the woman I would live with for the next four years. Like something from a cheap novel, we met at the reception, went from casual conversation and a couple of drinks, straight to her room, and blew off most of the retreat fucking whenever we got the chance.

                                   

I had been pacing while I told Madeleine of my misdeed. She did not speak or react in any way. She simply sat on the arm of the couch eyeing me with the same sad, knowing look I had noticed but not understood when we’d met. I still did not understand. 

Then, without a word, she leapt to her feet and walked out the front door. She stopped on the stairs at the flat below. I heard a knock. At the murmur of voices, I thought for the first time of her having an emotional ally, a friend at hand. Something I did not have.

Deflated of the righteous energy of my honesty, I slumped to the floor in front of the couch. I stared at the ceiling, my mind playing a game of strategic ambivalence. I did not consider leaving. On one hand, hanging in there and allowing Madeleine to ream me before she told me she never wanted to see me again would be cleansing penance for my cheating. In fact, the more anger she showed, the sooner I would feel better about having betrayed her. In that case I would be calling Julie when I left. But I also hoped she would forgive me. After all, jealousy is a bourgeois affect—a remnant of patriarchy. As long as I came clean, we could pick up where we left off, right?

Madeleine was gone long enough for me to slide into a dreamless sleep. Into the blank of my mind as I awakened, the old self-loathing oozed like puss from an infection. I was just reorganizing my defensive rationalizations when Madeleine returned.

“I wasn’t at the station that night to meet someone. You were an accident.” She said, standing over me, speaking in a matter-of-fact voice that belied her puffy, red eyes. She was not about to show me any tears.

I started to get up, relieved at my imminent dismissal. She thrust her hand out above my forehead in a gesture like a shove and I fell back against the couch. “Stay there. I’m going to read you something before you go.” She turned and went down the hall to her bedroom—a room she had never invited me into, and one that I would never see.

                                   

I’d heard of it long before I ever knew what it was. I knew of it as something for the record books—like antidisestablishmentarianism; a curio, a road side attraction, World’s Longest. At thirteen I thought Ulysses was The Odyssey. I imagined Kirk Douglas battling the Cyclops in a movie I’d seen on television. Joyce was an older girl who lived down the block. Even that last night in Madeleine’s flat I was ignorant of Leopold and Molly Bloom, and Stephen Daedalus.

Madeleine stood above me with a small book, thick as a Bible. On its dark green cover I could see no writing. She held it just below her breasts with two hands, like a prayerbook, elbows at her sides. She began reading in a practiced voice somewhere near the end, a place at which the book fell open out of habit.

“…well I suppose he won’t find many like me where softly sighs of love the light guitar…” she began. I did not know what I was hearing, but her surging, releasing tone enveloped me.

“… or if the woman was going her rounds with the watercress and something nice and tasty…” Now Madeleine was the one pacing the room as the rhythm of the words expanded to rolling waves sustained through a series of images that overlapped and interwove until they seemed to enter me and mingle with my own memories.

In a dream without time, Madeleine’s voice drew me through a cascade of overlapping déjà vus. “…first I must clean the keys of the piano with milk…”

Scenes and feelings from my past surfaced and receded, riding the power of the unfolding tapestry that filled the room. “…and all the kinds of splendid fruits all coming in lovely and fresh…” I was stealing from my brother, vandalizing a school room, raiding my mother’s purse.

“…I don’t care what anybody says itd be much better for the world to be governed by the women in it you wouldnt see women going and killing one another and slaughtering…”

A montage of previous transgressions—moments of decision, error, buried shame streamed by like a highlight reel of moral bloopers, each one familiar and accompanied by its own echoing excuses and compensating lies.

“…and the sea, the sea, crimson, sometimes like fire, and the glorious sunsets, and the fig trees in the alameda gardens, yes…” Madeleine’s energy rose, filling the room above and all around me.

“…and all the queer little streets, and pink and blue and yellow houses…” I began to see images of our brief time together. But they were immediately intruded upon by memories of every girl or woman I ever pushed, prodded, or pressured into compromise. I was the older boy, despoiling freshman girls, supplying the liquor, feigning love for the night, “…where I was a child of the mountains, yes…” a room full of sleeping bags, “…when I put the rose in my hair like the Andalusian girls used…” ignoring the protests of a girl who had trusted me, “…and how she kissed me under the Moorish wall…” slipping into her bag, hearing her whisper no, into my ear and not caring as I came on her leg in spite of her whimpering pleas, “ …and I thought, well, as well him as another…” feeling the sickness in my stomach that would overtake my life, only after rolling off and turning my back to her quiet sobs in the dark.

“…and then I asked him with my eyes to ask again, yes…” Curled up on the kitchen floor, in front of the sink, I recognized the sound of a bird calling from far away as my own convulsive keening. As my eyes began to see again, Madeleine was leaning over me, close to my snotty face. With a low, measured voice, the open book now pressed against her chest, she delivered the final tide of text, “…and drew him down to me so he could feel my breasts all perfume, yes, and his heart was going like mad, and yes, I said, yes, I will, yes.”

                                   

I saw Madeleine walking toward me on the street the other day. I hid as from a vengeful enemy, though I know she isn’t the kind of person who ever hated anyone. Through the years I don’t believe she’s given me more than a passing thought. But I’d thought of her every day as I struggled—rededicating myself to my work, to the families and the children, to being a good partner to Julie, and reading, reading, reading—to overcome the things she helped me see were true about myself.

Seeing her again was as if I’d seen my light come shining.

I watched through a café window as she passed with two men and a woman. They could have all been single, or any configuration of couples. I couldn’t tell and I’ll never know. She strolled by a few feet away in a vintage summer dress that made the sidewalk glow. The man behind her spoke into her ear. She stopped and belly-laughed, hands on hips, mouth open to the sky. They embraced and were gone. Gratitude swelled within me like laughter. Then something else stilled my heart and drew my breath—something that I now believe was grace.

                                                                       

Trimmings

 

I’d been in love with Colleen Clark since we launched our relationship with exquisite naked-dancing in her mother’s bathroom. It was the summer before first grade. The Platters and The Penguins, humming from the acid green transistor on the toilet tank, echoed off the tile. Behind the button-locked door we felt for the first time the warm ease of skin across our flat chests, our round little child bellies, our inner arms and thighs. The part of me that was different from Colleen remained in place, unnoticed, but our peach-fuzz stood on end as we tingled with delight.

It seems to me now that the most pleasant times of my childhood were spent playing Barbies at Colleen’s house. My mom always busy with my baby brother, Colleen’s with an ailing husband and two toddlers, they left us on our own. We never quarreled or made noise, so they trusted us together. We played and talked and pretended. We came to know the rules. Our little dance was neither spoken of, nor repeated.

For six years there were no other girls Colleen’s age on our block. I had four or five boys to play with, but Colleen was isolated. We played and joked about “when we’re married.” In my mind Colleen was my future wife, but I don’t think she ever believed it. I was her substitute best friend.

As the training wheels came off my childhood, I played Little League and basketball and ran with the mob of boys on the block, but I continued to play with Colleen. I thought of Colleen as “My Girlfriend,” — the label my parents used. Our brothers and sisters and the other kids on the block thought the opposite sex had cooties, but Colleen and I were comfortable together.

The adults loved it when we showed off, holding hands and walking arm in arm. I think now that young parents of baby boomers had a lurking fear of their kids not “turning out right.”  Heaven forbid we should turn out to be “fruitcakes” or “lezzies.” This unspeakable fear was dispelled every time they saw the miniature couple we assumed from their every encouragement they wanted us to be.

                                                

Carla Bass moved in around the corner early in our sixth-grade year, about the same time Colleen’s father died. Colleen and I never talked about her father, or sickness, or death.

Colleen latched onto Carla as if to a lifebuoy, and they began spending most of their time together—time I would have spent with Colleen. When I was with them both, walking home from school, watching TV, or acting out Barbie make-believe in Colleen’s room, I felt like we were playing a game with rules only they knew. Exhilarated, confused and too young to understand, I floated along, loving being with either or both of them, no matter my discomfort and confusion.

That 6th grade winter Colleen and I played house on our own a few more times, but it wasn’t the same. Her smile looked harder, firm at the corners. Her eyes gleamed like they held a breathtaking secret. Each of those last times we played in her room, she would strike up an argument on some pretense, and we would end up play-fighting on the bed. We hadn’t been that physical since our naked dance. I remember her strange, wide eyes all the while we pushed and rolled.

As our play changed and took on unexpected tension, my feelings changed as well. I began to feel a need to state my intentions. Unsure as I was of exactly what they might be, I knew they involved going steady, kissing, getting married, and something called sex I’d heard about in movies.

I thought I should start by making our relationship official. As a 6th grade paperboy with a good route, I was a schoolyard millionaire, so one spring day, swept up by some kind of seasonal confidence, I headed for the strip-mall jewelry store, a wad of bills floating atop a pocket full of silver coins chinking against my bike seat. I bought Colleen a stainless-steel steady-ring-on-a-chain just like the ones high school girls wore. Trembling and breathless, I gave it to her on her front porch the afternoon before Easter.

I pulled the weighty bauble from my pocket without preamble.

“Here.” Her moment’s hesitation spurred me on to the babble I’d hoped to avoid. “It’s like what high school girls wear.” She took the chunky ring of silvery metal with its flat, blank square into her cupped hands like it was liquid. I held the ball chain on either side of the coupling, my fingers hovering above her palms. “See this thing? The chain hooks into it like this.”

I showed her again, popping the end ball in and out of the coupling from each side, jabbering about how the wire went through all the little balls and pointing out how they had seams like a baseball and how cool it was that they bent the metal into a ball. There were several other characteristics of the chain that I’d extracted from the jeweler while I whipped up my courage to make the big buy. I’m sure I told Colleen about them all. She was patient if not that interested. I soon ran out of steam, feeling stupid and hot. Whatever romantic delight Colleen might have felt at the initial presentation had been talked out of her.

“Okay,” she said. I let the chain pour into her hands, and in a single motion she popped it over her head and flipped it under her new, longer hair. We watched the ring bounce down her blouse, nearly to her waist—it really was for high school girls. Neither of us found that funny at the time. “Does this mean we’re going steady?” she said casually, like it was no big deal either way.

“I guess so.”

We weren’t ready for kissing, and I didn’t know what else to say but, “Let’s go play!” We both hopped once in place and ran up the street to join the other kids climbing around in the Chinese Elm in my front yard.

Only then did it become real to me that everyone would see what had always been private. I wavered between being proud, wanting all the kids to see, and hoping she would keep her shiny new token hidden in her blouse with her training bra. She ended up taking it off and swinging it around on her finger like a sling. At one point the blurring chain slipped off the end of her finger and the steely chunk flew out of orbit into the blue stucco of my neighbor’s garage. Only Colleen and I noticed. “Oops!” said Colleen, and we ran across the driveway to retrieve it from the flower bed. We giggled at the chip of stucco it had taken out, and Colleen slipped the chain around her neck and dropped the ring into her blouse with her training bra.

The uproar among the kids over Colleen’s steady ring ended up being no more than over somebody’s really cool aggie shooter. After a chorus of “Two Little Lovebirds,” everything went back to normal. I played along, but things had changed. I understood only later how the change involved Carla Bass.

                                                

Carla and Colleen were opposites in many ways. Colleen was round-faced and pink, her bright blonde bangs cut straight above dark eyebrows and clear blue eyes—Carla’s face tawny long and lean, with lank ringlets of nut-brown hair falling about black-almond eyes. They were a striking, mismatched pair.

I got my first fruitful erection thinking of Carla.

We talked on the phone—something Colleen and I had never done. Speaking into my ear as I curled on the floor in the dark kitchen while everyone else watched TV, Carla was not a disembodied voice. As she spoke, her face became clearer in my mind than it ever was in my eyes when we were together with Colleen or other kids. On the phone we had privacy. Her froggy little voice spoke only to me, telling me about problems with other girls, about her parents fighting, her brothers smoking and drinking. The things she told me frightened me some, but she seemed so cool and different and exciting. I would think of her long after we hung up. I would fall asleep thinking of how it would be to make her happy, to stroke her face, to touch her lips.

I began to write her love letters.

When Colleen and I began as friends, we hadn’t learned to write yet, so we never wrote notes to each other. It was different with Carla. By eleven years old I was literate enough to get myself into trouble. I spent one entire truant afternoon with the only picture I had of Carla, in the school portrait of Mrs. Potts’ sixth grade class, filling in the margins with tortured cursive purple prose. I hid it in the deepest recess of my closet.

I had just seen The Pride and the Passion for the third time that week on The Million Dollar Movie and I was moved. I identified with the Sophia Loren character, divided in her feelings between the long-beloved, heroic Spanish revolutionary, played by Sinatra—the Pride—and the dashing Duke of Wellington, Cary Grant—the Passion. I wept throughout the final scene as the Duke carried the limp bodies, first of Sofia, then of Sinatra, back into their recaptured city. I was attracted to the idea of these different aspects of love. Love could be many things. I could be in love with two girls at the same time. I poured my passion out to Carla with my pen.

I never gave Carla the unedited versions of my letters. She got my feelings, watered down to the level of Hallmark Valentines, in the form of tape-sealed notes passed to her through the hands of other girls in class. At first it didn’t enter my mind that Colleen would read the notes. After all, she was in a different classroom, and the girls who passed the notes always promised not to read them. I assumed Carla would never share them with anyone. I didn’t want to think of what Colleen’s reaction might be if she did read them. But when we talked on the phone, Carla pretended she hadn’t read the notes at all. It was all too embarrassing to mention. And besides, in my pre-pubescent mind my feelings about Carla were separate from what Colleen and I were to each other—whatever that might have been.

In the midst of a hormone storm, I was in a warm bath of ignorance. The water would soon be cold.

But as spring approached that sixth-grade year, some kind of awareness grew within me. It could have come from clues I picked up when I was with Colleen and Carla together—the conspiratorial tittering, the under-current of whispers. Or I might have been starting the long haul to catch up with the girls’ march through puberty; getting wise to the world of 1963, taking in the strange new ways by osmosis through the media. However my awareness dawned, my reaction was to panic. Of course! Everyone’s reading my notes! Colleen will be jealous. She’ll hate me. I’m too weird for Carla. She’ll drop me, and I’ll lose them both.

I decided I had to stop thinking about Carla—stop writing dangerous notes to her anyway— and make a commitment to Colleen. By giving Colleen that ring and chain, I chose Pride over Passion.

                                                

Only when Mr. Clark died did I understand how sick he had been, and why Colleen’s mother was unhappy all the time. Soon after the mid-winter funeral, Mrs. Clark seemed happier than ever. As the days grew warm, she cut and colored her dark, curly hair to a bouncy blonde halo. She took to wearing short shorts and halter tops. She would sun-bathe in a bikini in the middle of the back yard lawn, smiling with cucumber slices on her eyes. In April, when Mrs. Clark’s Greek boyfriend, Ilia, moved in, they acted like they’d known each other for a long time.

The kids on the block didn’t like Ilia much. He treated us like the nuisances we were. But he was a warm breeze to the Clarks. He rough-housed with Colleen’s younger brothers and, though he kept a certain distance from Colleen, she bragged about Ilia’s worldly travels and really seemed to like him. I think she liked the way he made her mother laugh. Colleen didn’t know what it was like to have a happy mother.

                                                

On the morning of the day my oblivion crumbled, I’d been mowing the Clarks’ lawn. A Southern California Saturday in May, lawn engines droned and the odors of green grass and blue smoke infused the endless suburban neighborhood. Ilia had been hollering at me about a patch of lawn that looked uncut no matter how many times I ran over it with the mower. I tried to explain that it was because the ground was uneven and there was nothing I could do. The second time I mowed it, Ilia could see I was right, but he made me do it a third time just to show me who was boss.

That afternoon we played in the water for the first time that season in Colleen’s backyard. Colleen and her brothers, Carla and I, and two or three neighbor boys glided on the Slip-n-Slide and lolled on beach towels sucking the juice from late Valencia oranges still falling off the Clarks’ tree, ripe and ready. Ilia rolled out the barbeque while Mrs. Clark, in a brand-new bikini, basked on a chaise lounge in the sun. I remember it as a kind of Eden.

I had gone into the utility room to dry off before going into the house to use the bathroom. Colleen stepped out through the kitchen door at the same time Carla came in behind me from the yard.

“Come’ere, I want to show you something.” Colleen’s strange, hoarse whisper sounded like it came down from the rafters.

Colleen took me by the arm and turned me toward the adjoining garage. Carla was right behind me as we entered the unlit space where Ilia sometimes parked his car. Dust motes hovered in shafts of light around the garage door. The dank odor of fresh-cut grass rose through the stifling darkness.

Carla spoke to me with lips so near her breath tickled my ear. “Do you know what pussy is?” she said. A squeal threatened to break through her whisper. 

My neck twisted and my head spun as I looked in panic from face to grinning face. Their eyes darted back and forth from each other to me.

“Sure I do,” I lied.

My mind scrambled to make sense of what they were doing, sifting through vague knowledge of sex gleaned from children’s apocrypha, movies, and sex-ed films. I knew a pussy was the same as a vagina, but I’d never said the word vagina out loud, afraid of pronouncing it wrong. I had no idea what Carla meant by the word pussy without the article.

“It’s your… thing,” I said, “Where you pee.”

The girls were not yet old enough for bikinis. Their wet, one-piece swimsuits were modest, with skirty frills around their burgeoning hips, but their naked legs and arms glistened in the angled light from the utility room so that the darkened garage became a silvery black-and-white film like one my parents would watch.

Colleen stood next to the trash barrel that held the grass from the morning’s lawn job. Topping the full barrel was a layer of trash from a bathroom wastebasket.

“Look at what we found.”

Colleen picked up an envelope from the trash and offered it to me. Taut with nerves, I recoiled into Carla. She was ready. Her hands were up, pushing my bare torso back toward Colleen and the envelope. I had no choice but to take it.

It was small and square; not like any envelope I’d ever seen. Even in the dim light I could tell it wasn’t white, but purple or pink, and I could just make out, across the front, in sweeping cursive, Ilia.

“Look inside,” said Carla.

Between my fingers the envelope made a crinkling sound. It was not sealed. I lifted the flap and slipped my fingers in. Instead of the nasty note I was sure they planned to make me read aloud, I found a dry, springy substance lining the bottom.

“Did you know it was hairy?” said Colleen with wicked delight.

I slowly withdrew my fingers from the envelope, trying not to betray my confusion. Carla’s chin was at my shoulder, a giggle bubbled in her throat.

“Yeah, sure I did,” I lied again.

With a clench of my stomach, it came to me that somehow this was Mrs. Clark’s pubic hair. It was something adults had. I’d seen the illustrations and heard about “body changes” in that infamous film at school. I remembered catching glimpses of it on my mom at awkward moments in the past. How and why Mrs. Clark’s pubic hair came to be in that envelope with Ilia’s name on it, and what Colleen and Carla expected me to do with it were too much for me to consider.

My forehead burned. The water dripping off my trunks splashed my cold feet as it spattered on the concrete. Standing in a puddle of my own making, I started to shiver in the hot and stuffy garage. My bladder ached as Colleen stepped close enough for me to catch the peppermint sweetness of her breath.

“Look at it. It’s my mom’s.”

I nearly knocked Carla down when I dropped the envelope and ran.

                                                

Colleen kept the ring. It was never spoken of. I spent the summer developing a passion for baseball. At the beginning of seventh grade Colleen moved to Anaheim.

I saw Carla only at school and, later, through the windows of older guys’ cars. She saw me but our eyes never met.

I tried once more with Colleen just after seventh grade. I called her on the telephone one lonely night. I don’t remember asking her, “Read any good books lately?” nearly as well as I remember the lengthy silence that followed the question, and the sick feeling it gave me.

Why she agreed to go on a movie date with me, I’ll never know—I guess it was the draw of an Elvis Presley double feature. But I was encouraged. Soon we’d be in high school, and I hoped we’d have another chance to dance. At a prom. In formal wear.

My mom drove us to the Brookhurst. Colleen was wearing strange new clothes—a short skirt with giant cartoon flowers and a clingy sweater that showed off her newly acquired breasts. I wore what I considered dress-up clothes—a white dress shirt tucked in to a pair of black slacks. All her new friends were there at the matinee—the girls in similar skirts and sweaters, the boys in jeans and tee shirts.

Before Kissin’ Cousins and during intermission, Colleen would sit with me for a minute or two while she looked around, then jump up and return a moment later with someone else to show me off to as her old boyfriend. During the movies we didn’t talk or touch. At times during Viva Las Vegas I wasn’t sure if she was sitting next to me at all. I didn’t look.

                                                                                                

 

 

 

American Silos

 

AMERICAN SILOS

The poem that began—and ends—this poetic polyphony, Our Blue Silo, was written the morning after the presidential election of 2024. I was trying to understand my part in the creation of this immense divide, this national wound, from which the election tore a bloody scab.

Bring down the silos that separate us — burst excluding bubbles — crush the cones of silence

open up the echo chambers of our politics.

I have no illusion of seeing this in my lifetime. These structures took too long to build, and are built of too costly a material — the very human lives, filled with human fault and folly, that have brought us to this painful polarization.

The binary choice in an election

requires a previous binary choice:

To Vote or Not To Vote;

before that choice:

To Care or Not To Care.

Is that a choice? A state of being?

 

You can do what you want…but you can’t want what you want.”

Robert Bolt, Lawrence of Arabia

 

Are silos built of forced binary choice?

Quintessentially American?

Built into the sacred Constitution?

Can we get out of them?

How do we invite the neighbors in?

 

Maybe there are times so contentious or so painful that people simply withdraw to their own silos.

Kim Stanley Robinson, The Ministry for the Future

 

Silos as keeps, redoubts, watchtowers, hoards;

Fort Apache at the edge of conquest

of peoples, nations, homelands,

sovereignty ripped from bodies

    politic      water      earth,

by force of inferior moral arms

to terrorize, dehumanize, to kill

      the people here, in this untitled land.

  Rematriate — Rematriate — Rematriate and free us all.

 

To be woke at my dawn in land studded

with silos, a stubble of towers, red,

black-n-white, blue, with interstitial green,

taller than trees—we burn those in the stoves—

in fruited alluvial plains we claim

to be ours from great-great-grandparents’ sins,

          justifying — forgiving — forgetting—

to look back to where I’m told we have come—

          as documented? — who can remember?

and see the gray silo I was born to,

          two-tone-faded — aged — not yet colorized,

on a ticky-tack suburban cul-de-sac,

and find myself here, in a blue silo,

full of kernels of truth and deep belief

about belief, and wonder

          how far removed I am from red,

                  and how we got so far apart.

 

Silos full of grain. Empty silos, full

          of pain and other kinds of truth; broken

          silos, crumbled, light streaming through the cracks,

                  people dreaming of green, open space

                  to live, to breath, be loved, and find

                          their true natal homes—

                                              places from which we surely all have come.

 

How did we get here,

my neighbors into theirs, red,

my partner and I into ours, blue?

We were all born in black-n-white silos.

We painted them red. We painted them blue.

Now we paint them black

with division and despair.

If we get beyond our differences,

will we become Nowhere Men

with no point of view?

Are we defined by difference?

Are red ones filled with different grains from blue?

Grains of truth in husks of lies.

We must thresh. 

 

Fine grain. Rough grain. Dry grain.

Cracked and sprouting grain.

Wet, rotted grain. Silage.

Digested. Fermented in bags.

In-forming. Shaping who we are

as we grow, age, ingrained in

silos red silos blue.

Media funnels our information,

but we can choose

what fills our silos.

We need green silos, NOW!

Glass houses lit

with crystalline sunshine,

golden green with life—

absorbing CO2

to save the sky.

 

How is a silo like a lighthouse?

a cannon pointed at eternity

a canon pointing out uncertainty

Swords to plowshares! Silos to lighthouses!

Beacons blending beliefs, rendering truths,

evolving biology, stores of information;

writhing, naked helixes in silo-bins,

red worms     blue worms

educated, slurping culture-slime,

passing castings on to children, dies

to cast their new-worm bodies in our image.

 

I grew up in a black-n-white silo.

Now I am afraid of red silos; I’ve heard

the people in there are armed and alarmed,

          that they think I am

          what I really am:

                  an atheist, socialist, humanist,

                  scientist, feminist, drug addict, wimp;

          that others in their blue silos

                    are female, lesbian, liberal, queer,

                    people of color, hedonists, vegan;

          that we hate them (I don’t)

                                        and so they hate who we are

                                        and will kill us for being

                                        who we are     who I am.

 

My neighbor raised around the block from me

          in a similar silo—now blood red:

                    FUCK YOUR FEELINGS plastered his walls

                              like a rural ad for tractors on a barn;

                    Let’s Go Brandon meaning

                              Fuck You Biden;

                    Stars & Stripes in black & blue

                              a Thin Blue Line,

                                        of corporate troops in a race war;

 

I thought I could change my neighbor’s mind if I spoke

          Truth to Power, but he had none;

that if I said the right words he’d change his mind—

          and we could be as close as neighbors should—

                    but I feared his guns, and said nothing.

Now I must admit         I wished him dead

          to protect my love, myself, my elders,

          family, my children, my friends, and be

the virtuous vanguard

of a Green Goon-squad.

I am ashamed.

So I hide in my blue silo

woke — asleep.

 

How do we here know our truth is true—

and not the vagaries of belief?

How are we so sure?

Let me count the ways:

They have Holy Scripture, God-received Laws,

Devine Inspiration, Creation, Faith;

we have senses, communication, facts,

hypotheses, procedures, conclusions,

debate, theory, application, and proof.

 

—The Political Rainbow—

From red into purple to blue into

gold into green back to yellow and blue

through to purple and red again, fading

in time and mind to black-n-white.

 

Our black-n-white silo had Walter Cronkite,

Huntley/Brinkley, and Johnnie Carson

          to tell us what was Truth and what was not.

Cronkite made me think Captain Kangaroo

          was behind the news

                    because they were both on CBS.

Huntley/Brinkley brought me Beethoven

          with their intro from the Ninth Symphony.

                    It took years to separate slashing strings

                    and timpani from images of war,

                             to uncouple Uncle Walter from the Captain’s Puffin’ Billie.

                                            Neither     sorting-out     completed.

Johnnie lived in the dark magic hour

          when I was thought to be in bed, asleep.

Glittering, scary glimpses from a boyish grin,

          watched secretly from my Childhood silo

                              through a door,

cracked-open.

Silos, echo chambers, confirmation

bias-bubbles, by their nature isolate us;

Schrödinger’s cats, only self-aware,

we know we may be both alive and dead

but not seeing our Other, quantum selves,

don’t know which we are. Everyone assumes

they and their silo to be the truer version.

We don’t have Lennon’s glass onion to see

how the other half lives and finds the truth.

 

Our Red Silo is safe.

Protected.

We are armed.

Our Red Silo is a smokestack

makes us strong.

We have freedom from fear.

 

Our Blue Silo is smart.

Well informed.

We know things.

Our Blue Silo’s a library

all is taught.

We have freedom to love.

 

Our Blue Silo

          has an infinite zenith.

I can see the edge of the universe from our porch.

          It will take forever to get there, even longer

                    with this latest crushing blow

                              to the world’s collective soul.

                                      In the meantime,

Our blue silo

          has hot running water,

                    a new septic tank with a cute blue cap,

                    a garage, driveway, and stainless-steel fridge

                              with food and drink from the North Coast Co-op.

 

                                        Our power comes from infinity, too—

Our silo’s cozy warmth flows from a pump

          driven by twelve black light-drinking panels

                    lined up edge to edge on our composite

                              tar-shingled roof, glass bodies in the sun,

 

                                        our foundation built of other bodies;

          immigrants forced by hands seen and unseen

                    hands with weapons, arms of false affection

          bodies lined up head to foot, hip to hip

                    in the bellies of banal prison-ships—

                              Trafalga — Hermose — Guerrero — Brooks,

          bound, brood-bred, gaslit, and sold,

                           while others here — as there — and everywhere

                                             women children elders

                                               Renewing the World

                                                 on Tulowat Island

                                      cudgeled in murder-ceremonies

                    by the drunken priests of Christ’s holy greed

                              prancing around the reddening sacred ground

                    with whiskey jugs — axes — clubs

                                             all to a snappy reel of Dixie.

 

Our Blue Silo also has a view!

          a tube of filtered light—no longer black-n-white—

                                      that speaks to us,

                         watches us watching, hears us listening

                         feeds us rations of bull and chicken-shit

                                   until we’re full of it     and empty     blind

                                   and blinded to the musky star-link cloud

                                             that streaks across our opening above,

                                             blurring out stars, a skid-mark on the night,

                                             deaf and deafened to the distant booming

          fire growing nearer every day.

 

My inner silo has an exit

          I would rather not use,

                    though everyone knows in time they must.

          I tried to escape through the lighted tube

                    but was caught in a web of looping roundabouts,

                                             mocking lemniscates,

                         that brought me back to terminal, digital comfort.

          Desperate to be nearer to the zenith, I climbed the walls

                    but got no closer to the sky.

I fell.

Thank you, love,

for bringing me back home.

 

This time I’ll keep my eyes on the zenith,

          close them when the star-link monster screams,

          fix my heart-mind on the starry circle,

          and sing full-voiced so my song might make it out,

                    soft to you of love, and of our children

                              in their greener

                              more transparent

                                        silos in the sun

          and hope to share this place without complacence

        through all the time we may still have as one.

 

Wallet

Fauxmoir, February, 2022

https://fauxmoir.com/spring-2022-1/tag/Michael%20Bickford

 

This wallet is the last

         I’ll ever have

                   if I don’t

lose it. 

I can see it all before me now

         penciled in like a lineup card;

                  as the leather wears

                                               so will I

the rest of the way

         broken in like a baseball glove

                        life down pat

just as the innings all run out.

 

The wallet I lost at fifteen years old

                was like my dad’s

                            shiny black calfskin for a birthday

         but Dad’s was old

             wear-buffed

                            stretched and rounded by mysterious bulk;

         mine so new & light

was it in my pants or not?

 

It fell at a Fox matinee

         out the back pocket

                   of my navy-style white bellbottoms

         as I watched The Happening

                   with the Supremes hit song of the same name.

 

What did I have to keep in a wallet

         when so young & hapless—

                   money from paper routes & mowing lawns?   

 

A picture of a girl with short blonde hair

         tucked away in dark inner folds

                  leather sex-redolent in warm calfskin;

I see a face

         I hear a name and feel

                   the weekend afternoon

                   the tree we climbed

                   the fort we dug in black suburban soil

         but cannot reach that place in time

                            held deep

in slots & sections of my mind.

 

This last wallet,

         still unmarked,

not-yet-lost,

              never to be back-pocket-worn

                   contains no photographs

                             no currency.

 

She and I and all

         the gloves and innings

         the matinee Supremes

                  their song     the tree     the fort     the afternoon

                                              my father

         all will fall into creases

                   crevasses and wrinkles

                                     of red-grey time

         the convolutions of my dying brain.

 

         The wallet will live on

                  in someone else’s pocket

                            being as it is

already dead.

 

Afterglow

 — in Rainy Weather Days, https://rainyweatherdays.com/afterglow/

 

We’ve said all the things that lovers say when

skin is wet but warm against the sheets;

when breathing slows to deepened sighs of bliss,

our edges merging embers ashed with sheen

of sweat; when language is no longer words.

 

The gravity of our bodies, still strong

enough to spark a star, can no longer

bring forth life from darkness; past the point

of no return to time gone through us on

its way to those we leave behind in love.

 

Yet press our shores together once again

we will when morning finds us finding one

another in its freshened glow as bed-

warmth turns our tides to heat and fire and light.

This Poem Is Envious and Young

— Neologism Poetry Journal, May, 2024,

      https://www.neologismpoetry.com/April-2024/#mb

 

When I was green and people asked me

what my favorite color was

I felt like I was lying when I said green.

            I liked all the colors.

                        The greens were lime and sage and olive,

                        Lincoln, tea, and serpentine,

                        jade, viridian, malachite and more—

I didn’t know which was real and envied

                        other colors’ primary certainty.

I said green because I knew it was mostly good:

 

            the wise old calm of modeling clay

                        the earthy Gumby-green scent on my hands

                        when I made snakes and pre-school pancakes;

 

            the accidental chlorophyll discovered

                        when I brushed the yellow tempera sun with sky

                        and wondered how green got there from the tree;

 

            the spring-grass infield with the Dodgers on

                        my acid-green transistor radio,

                        my holey Levi knees no longer blue;

 

            the viridescent dreams and hothouse

                        memories of Grandma with her fuchsias

                        and her glads, the sky sea-green through hazy glass;

 

            the shades on either side of redwood leaflets,

                        a darker, public waxy green on top,

                        the secret water-channel glow beneath;

 

                                    but not the putrid green

                                                of the slimy, overcooked spinach

                                                I choked on to escape the kitchen table,

                                    or the color from some glistening gland

                                                in the car-rent body of the cat

                                                who crawled off under a bush to die.

 

There is no color without light;          

            the quiet of deep forest green

            so quickly dims to black in early evening

but stabs back at dawn,

            the golden red it catches in its summits

            reflecting back its brightest verdancy. 

 

No color is one color:

            each a rainbow unto itself.

            All the colors is no color at all.

 

This poem is not envious

            of the no-color poems

            of black-n-white interminable TV grays

            that shout from either side

            at all the colors they are not

                        neither rosy nor sanguine

                        ultramarine nor umber

                        amethyst nor plum:

 it would rather be chloroplastered in the sun.

 

When this poem is old, and yet still green,

            closer to the white light

            (black as the pit from pole to pole)

                        living the green revelation

                        of our cool green privilege

it will not envy anymore

            but only wish to be

                        like crocuses in snow,

                                    key lime pie on ice,

                        avocado ripe in gator-skin,

                                    green butter on a slice,

                        a grass frog croaking in the dark

                                    before she makes her final leap,

                        an oval emerald on your heart,

                                    a promise I will keep.

 

Subbing

—The /tEmz/ Review, March, 2024,

https://www.thetemzreview.com/bickford.html

 

They drift through classrooms,

            pass us in the hall

            on the road to their there,

                      our here now,

gather what they will

            from us, the elders.

                                   We gasp in wonder

                        at their innocent ignorant beauty

                        their nourishment from nothing, their streaming

                        surge, raw-ripe rumpled shine, like huge wrinkled

                        hatchlings     glorious     glowing     unknowing

            every sighting a new species ID

                        (Adolescencia prepubencia)

                                    middle school gen zero, twelve and thirteen

                                          that age for me a series of neurons

                                            connecting revenant emo-djinns

                                                         I no longer feel.

 

         I saw a boomer on a screen play

      a boomer in a scene where all agreed

                    things were better

          when and there, then and how.

                      They weren’t.

 

  1. Where were you then? Where will you have been?

                     When will you be where you are?

                      Answer in complete sentences.

                               Show your work.

 

Some in their journey join us on the verge

            to ease the pain of smart eruptions

                        with prodigious plants and entheogenic fungi,

                                    grown and dried,

                                    burned and breathed,

                                    sold and swallowed

                                    long before they knew

                                                there was a truth to seek.

 

We mentors lie and say we never cared

            because it hurts too much

            to be ignored when we do.

We watch them as they fall off hidden cliffs

            we lied and said we never saw

            because we didn’t want to be a cause

                        of death predicted     not prevented.

 

  1. What can be done

                 when you bare yourself

                    and can’t bear up?

                     Who or who else?

          Complete show in your answer work sentences.

 

Fear is

substrate of

action/inaction

enaction/reaction

substitution       substitute      submission        submit

sublime        subliminal        sublimate

stand-in stand-up

stands and delivers

stands in the river

watches it rise.

Submerged.

Naked.     Drowning.

Poser                   Imposer                   Imposter                   Fake

 

  1.       In what way is this

a syndrome?

                               Answer sentences in complete

                                          work your show.

 

  1.       Who am I when I am

someone else?

                                             (Who are  you  today?)

                                     Who was I when I was myself?

                                   Who will I be before I am no one?

                        In show   sentences answer   complete your work.

 

Link to publication, The /tEmz/ Poetry Review:

https://www.thetemzreview.com/bickford.html